America has had a love affair with opera in all its forms since it was first performed here in colonial times. This book - the first comprehensive cultural and social history of musical theater in the United States - includes vignettes of productions, personalities, audiences, and theaters throughout the country from 1735 to the present day. John Dizikes tells how opera, steeped in European aristocratic tradition, was transplanted into the democratic cultural environment of America. With a wealth of colorful detail, he describes how operas were performed and received in small towns and in big cities, and he brings to life little-known people involved with opera as well as famous ones such as Oscar Hammerstein, Jenny Lind, Gustav Mahler, Enrico Caruso, Milton Cross, Maria Callas, and Leonard Bernstein. He tells us about the often overlooked African American contribution to operatic history, from nineteenth-century minstrel shows to the work of Scott Joplin and Marian Anderson, and he discusses operetta and Broadway musicals, recognized everywhere in the world as one of the triumphs of American twentieth-century art. Dizikes considers the increasingly diverse operatic audiences of the twentieth century, shaped by records, radio, and television, and he describes the places where opera now flourishes - not only New York, Chicago, and San Francisco, but also St. Louis, Boston, Dallas, Houston, Santa Fe, Seattle, and elsewhere. Generously illustrated and engagingly written, the book is a fitting tribute to its subject - as grand and entertaining as opera itself.
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A dozen years in the making, Dizikes' work, which won the 1993 National Book Critics Circle Award for Criticism, is a milestone achievement. He begins his chronicle in the early 19th century, tracing the expansion of opera in the United States while exploring its influences at the hands of politics, war and immigration. The staging of "The Bohemian Girl" in 1844, writes Dizikes, marked the birth of modern opera in the U.S. He fills out his research with rich detail about the singers, conductors, composers, patrons and fans who collectively have shepherded opera into every corner of the country--from large urban centers to rural backwaters.From the Back Cover:
This lively and critically acclaimed book-the first comprehensive cultural and social history of musical theater in the United States - is a handsomely illustrated account of productions, personalities audiences, and theaters throughout the country from colonial times to the present day.
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Book Description Yale University Press. Hardcover. Book Condition: New. Dust Jacket Condition: Fine. 0300054963 Brand new. Bookseller Inventory # 11191
Book Description Yale University Press, 1993. Hardcover. Book Condition: New. Hardcover and dust jacket. Good binding and cover. Clean, unmarked pages. Ships daily. This is an oversized or heavy book, that requires additional postage for international delivery outside the US. Bookseller Inventory # 1704210025
Book Description Yale University Press, 1993. Hardcover. Book Condition: New. book. Bookseller Inventory # M0300054963
Book Description Yale University Press, 1993. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0300054963
Book Description Yale University Press, 1993. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110300054963
Book Description Yale Univ Pr, New Haven, 1993. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. New. First. (Presumed first as no edition stated and number line starts with 2). In mylar cover. Spotless and an incredible source book on opera from 1735 to the present. Heavy book will require extra postage if sent overseas. Please inquire and I'll go to the post office for an exact cost. Bookseller Inventory # 000917