In this lucid and fascinating book, Peter Brooks argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the nineteenth century, he moves on to Balzac and Henry James to show how these "realist" novelists created fiction using the rhetoric and excess of melodrama - in particular its secularized conflicts of good and evil, salvation and damnation. The Melodramatic Imagination has become a classic work for understanding theater, fiction, and film.
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In this lucid and fascinating book, Peter Brooks argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the nineteenth century, he moves on to Balzac and Henry James to show how these "realist" novelists created fiction using the rhetoric and excess of melodrama - in particular its secularized conflicts of good and evil, salvation and damnation. The Melodramatic Imagination has become a classic work for understanding theater, fiction, and film.
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Condition: New. 1995. Reprint. Paperback. This text argues that melodrama is a crucial mode of expression in modern literature. After studying stage melodrama as a dominant popular form in the 1800s, the author looks at Balzac and Henry James, to show how these "realist" novelists created fiction using rhetoric and excess of melodrama. Num Pages: 251 pages. BIC Classification: 1KBB; 2ADF; AN; DSBF; DSBH; DSG; DSK. Category: (G) General (US: Trade); (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 235 x 157 x 18. Weight in Grams: 362. . . . . . Seller Inventory # V9780300065534
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