"I believe that it is in our interest as individuals to become crafty readers, and in the interest of the nation to educate citizens in the craft of reading. The craft, not the art. . . . This book is about that craft."--from the Introduction. This latest book from the well-known literary critic Robert Scholes presents his thoughtful exploration of the craft of reading. He deals with reading not as an art or performance given by a virtuoso reader, but as a craft that can be studied, taught, and learned. Those who master the craft of reading, Scholes contends, will justifiably take responsibility for the readings they produce and the texts they choose to read. Scholes begins with a critique of the New Critical way of reading ("bad for poets and poetry and really terrible for students and teachers of poetry"), using examples of poems by various writers, in particular Edna St. Vincent Millay. He concludes with a consideration of the strengths and weaknesses of the fundamentalist way of reading texts regarded as sacred. To explain and clarify the approach of the crafty reader, the author analyzes a wide-ranging selection of texts by figures at the margins of the literary and cultural canon, including Norman Rockwell, Anaïs Nin, Dashiell Hammett, and J. K. Rowling. Throughout his discussion Scholes emphasizes how concepts of genre affect the reading process and how they may work to exclude certain texts from the cultural canon and curriculum.
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Robert Scholes is Research Professor of Modern Culture and Media at Brown University. He is the author of many books of literary theory, among them The Rise and Fall of English, Protocols of Reading, Semiotics and Interpretation, Structuralism in Literature, Textual Power, and Hemingway's Genders (coauthor), all published by Yale University Press.
A well-known literary critic, Scholes (modern culture and media, Brown Univ.; The Rise and Fall of English: Reconstructing English As a Discipline) finds that reading is the route to intelligence and that it can and must be taught and learned. He asserts that, contrary to the New Critics and to years of instruction in English classes, texts are situated in time and place. Readers should be aware of a work's cultural and political context as well as of genre and the author's life and career, and gaps and inconsistencies in the text should be noted. Scholes demonstrates how fundamentalist reading or selective literalism fails but becomes one of the most powerful ways in which the public is misled. The essays are thorough, well reasoned, and articulate, and his suggestions on teaching will upend the curriculum. Essential for all teachers of English and librarians and for serious readers and book clubs; both academic and public libraries will want to add this title. Nancy P. Shires, East Carolina Univ., Greenville, NC
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