The management of image in the service of power is a familiar tool of twenty-first- century politics. Yet as long ago as the sixteenth century, British monarchs deployed what we might now describe as “spin.” In this book a leading historian reveals how Tudor kings and queens sought to enhance their authority by presenting themselves to best advantage. Kevin Sharpe offers the first full analysis of the verbal and visual representations of Tudor power, embracing disciplines as diverse as art history, literary studies, and the history of consumption and material culture.
The author finds that those rulers who maintained the delicate balance between mystification and popularization in the art of royal representation―notably Henry VIII and Elizabeth I―enjoyed the longest reigns and often the widest support. But by the end of the sixteenth century, the perception of royalty shifted, becoming less sacred and more familiar and leaving Stuart successors to the crown to deal with a difficult legacy.
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Kevin Sharpe is professor of Renaissance studies and director of the Centre for Renaissance and Early Modern Studies, Queen Mary, University of London. He is author of The Personal Rule of Charles I and Reading Revolutions, both published by Yale University Press.
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Condition: Sehr gut. XXIX, 588 p., ill. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed jacket, otherwise very good and clean. Includes two reviews of the book. / Leicht beriebener Umschlag, sonst sehr gut und sauber. Beiliegend zwei Rezensionen zum Buch. - The management of image in the service of power is a familiar tool of twenty-first century politics. Here a leading historian reveals how, from even before the Reformation, the Tudors sought to sustain and enhance their authority by representing themselves to their people through the media of building, print, art, material culture and speech. Deploying what we might now describe as 'spin', Tudor rulers worked actively as patrons and popularisers to present themselves to the best advantage. Familiarity, however, brought risk. The art of royal representation was a delicate balance between mystification and popularisation, and those rulers who most used it - notably Henry VIII and Elizabeth I - enjoyed the longest reigns and, at most times, wide support. Yet even in Elizabeth's case successful imagemaking tended to surrender her authority to popular construction. By the end of the sixteenth century, the Tudors had survived reformations and rebellions, strengthened the crown and imprinted themselves on the imaginations and lives of their subjects. Yet relentless promotion of the royal image had desacralised it, leaving a difficult legacy for their Stuart successors. This first sustained analysis of the verbal and visual representations of Tudor power embraces art history, literary studies and the history of consumption and material culture. It reflects years of study of the texts, pictures, modes and forms of representation which circulated images of authority to a public increasingly eager to acquire them. - Kevin Sharpe is Professor of Renaissance Studies and Director of the Centre for Renaissance and Early Modern Studies, Queen Mary, University of London. His books include The Personal Rule of Charles I (1992) and Reading Revolutions (2000), both published by Yale. ISBN 9780300140989 Sprache: Englisch Gewicht in Gramm: 1112 Original hardcover with dust jacket. Seller Inventory # 1170046
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