New discourse on four decades of painting by one of the 20th century’s most influential artists
Gorgeously quiet in color and composition, Agnes Martin’s paintings have a distinctive grace that sets them apart from those of the Abstract Expressionists of her day and the Minimalist artists she inspired. Martin attributed her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. Perhaps for this reason, critical and scholarly analysis of her paintings has been scarce—until now. This important new anthology brings together the most current scholarship on Martin’s paintings by twelve multidisciplinary essayists who consider various aspects of the artist’s four-decade career.
Organized by Dia Art Foundation, whose extensive holdings of Martin’s paintings and ambitions to support in-depth research on the works are unparalleled, the publication brings renewed focus and energy to Martin’s career and her contributions to the art historical narrative.
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Lynne Cooke is curator at Dia Art Foundation and chief curator at the Centro de Arte Reina Sofía, Madrid.
"This volume is an irresistible summons to readers to turn their backs on the world, and follow the artist into her work."—Nancy Campbell, Times Literary Supplement
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Hardcover. Condition: New. Martin attributes her grid-based works to metaphysical motivations, lending a serene complexity to her oeuvre that has defied any easy categorization. This important new anthology brings together the most current scholarship on Martin's paintings by twelve multidisciplinary essayists who consider various aspects of the artist's four-decade career. Illus, 14 in color/60 b&w. 240p. Seller Inventory # 2152532
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Hardcover. Condition: Very Good. No Jacket. Contains both black and white and colour images. Essays by Rhea Anastas, Lynne Cooke, Douglas Crimp, Suzanne Hudson, Jonathan D. Katz, Zoe Leonard, Jaleh Mansoor, Michael Newman, Christina Bryan Rosenberger and Anne M. Wagner. This book is in great condition. The cover shows some small, light stains on the back and the bottom corners are bowed inwards. Otherwise the cover is in good condition. The binding is sound. There are no loose pages. The pages are clean and in great condition. Contains a gray bound-in book ribbon. The end is lightly frayed. A previous owner has written some notes in black pen inside the back cover. Postage may be increased due to weight. Seller Inventory # 028896
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