This revelatory book focuses on a remarkable series of encounters between the most prominent French philosophers of the 1960s and 1970s—Sartre, Deleuze, Bourdieu, and Foucault among them—and the artists of their times, most particularly the protagonists of the Narrative Figuration movement. Each encounter involved either a mutual engagement or the writing of critical texts or catalogue prefaces—texts that illuminate not only the work of the artists but also the production of the philosopher-writer concerned.
Although the protagonists of “French theory” are universally known and studied, their thought is presented without a sense of contiguity, chronology, or context in translation, while the artists with whom they engaged are virtually unknown outside the French-speaking world. This account restores the lived context of artistic production. What Bourdieu called “cultural competence” is seen to be essential for these particular philosophers, and Sarah Wilson shows that it is through them that the figurative art of 1970s France can be introduced to the audience it deserves.
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Sarah Wilson is professor of modern art at the Courtauld Institute of Art, University of London.
“Wilson’s study provides an opportunity to consider yet again the vexed relationship between word and image, this time within the heated and crackling context of French politics.”—Tom Huhn, Art in America
(Tom Huhn Art in America)"About this title" may belong to another edition of this title.
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26.0 x 19.0cms 272pp b/w & colour illusts fine hardback & dustwrapper The chapters are: witnesses of the future painters of their times; the Datcha painting as manifesto; from Satre to Althusser Lapoujade Cremonini & the turn to anti-humanism; Bourdieu Rancillac the image of the image; Althusser Fanti the USSR as phantom; deleuze Foucault Guattari periodisations Fromanger; Lyotard Monory postmodern romantics; Derrida Adami the truth in painting: in Beaubourg 1966/2007. SALE PRICE. Seller Inventory # 30096073
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Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st. Cloth, 271 pages, illustrations (some colour); 27 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. *** "This work focuses on the series of encounters between the most prominent French philosophers of the 1960s and 1970s and the artists of their times, most particularly the protagonists of the Narrative Figuration movement." - Publisher. *** CONTENTS: Introduction: Witnesses of the future, painters of their times; Interlude: the Datcha--painting as manifesto; From Sartre to Althusser: Lapoujade, Cremonini and the turn to antihumanism; Pierre Bourdieu, Bernard Rancillac: 'the image of the image'; Louis Althusser, Lucio Fanti: the USSR as phantom; Gerard Fromanger: periodisations - Deleuze, Foucault, Guattari. Felix Guattari: Night and day; Lyotard/Monory: postmodern romantics; Derrida/Adami: the truth in painting?; Conclusion: In Beaubourg, 1977/2007. Size: 4to. Collectible. Seller Inventory # 107491
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