Rebecca Salter (b. 1955) is a British abstract artist who lives and works in London. After studying ceramics she spent six years in Kyoto, Japan. There she started to make drawings and woodblock prints that combined Western and Eastern traditions. On her return, Salter began painting on canvas using acrylics. She still views her practice as "making an object" rather than a surface. Although Salter's work is studio-based, it reflects her experience of drawing outdoors, and she arguably can be categorized as a landscape artist.
Accompanying a major survey exhibition at the Yale Center for British Art, this sumptuously illustrated book maps Salter's career, situating her work in relation to international abstraction, as well as investigating the impact of Japanese art, architecture, and aesthetics on her practice. Richard Cork considers Salter's redesign of the entrance of St George's Hospital, London, which demonstrates both her engagement with Japanese concepts of space and her belief in the therapeutic value of art.
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Gillian Forrester is Curator of Prints and Drawings at the Yale Center for British Art.
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Hardcover. Condition: Good. Rebecca Salter (b. 1955) is a British abstract artist who lives and works in London. After studying ceramics she spent six years in Kyoto, Japan. There she started to make drawings and woodblock prints that combined Western and Eastern traditions. On her return, Salter began painting on canvas using acrylics. She still views her practice as "making an object" rather than a surface. Although Salter's work is studio-based, it reflects her experience of drawing outdoors, and she arguably can be categorized as a landscape artist.Accompanying a major survey exhibition at the Yale Center for British Art, this sumptuously illustrated book maps Salter's career, situating her work in relation to international abstraction, as well as investigating the impact of Japanese art, architecture, and aesthetics on her practice. Richard Cork considers Salter's redesign of the entrance of St George's Hospital, London, which demonstrates both her engagement with Japanese concepts of space and her belief in the therapeutic value of art.Published in association with the Yale Center for British ArtExhibition Schedule:Yale Center for British Art02/03/2011-05/01/2011. Seller Inventory # SONG0300170424
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Hardcover. Condition: As New. Dust Jacket Condition: As New. Edited by Gillian Forrester, with essays by Achim Borchardt-Hume, Richard Cork, and Sadako Ohki. ix, 272 pages, 200 color illustrations, bibliog., quarto (4to) (11 3/4 x 10"), hardcover, dark green cloth, white text on spine, dust jacket. Very good condition, inventory from an old bookstore. Inventory #71374-1. Seller Inventory # 000288
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