Contested Visions offers a comparative view of the two principal viceroyalties of Spanish America: Mexico and Peru. Spanning developments from the 15th to the 19th century, this ambitious book looks at the many ways and contexts in which indigenous peoples were represented in art of the early modern period—by colonial artists, European artists, and themselves. More than two hundred works of art, including paintings, sculptures, illustrated books, maps, codices, manuscripts, and other materials such as textiles, keros, and feather works, are reproduced in full-color illustrations, demonstrating the rich variety of these artistic approaches.
A collection of essays by an international team of distinguished scholars in the field uncovers the different meanings and purposes behind these depictions of native populations of the Americas. These experts explore the role of the visual arts in negotiating a sense of place in late pre-Columbian and colonial Latin America. They address a range of important topics, such as the construct of the Indian as a good Christian; how Amerindians drew on their pre-Columbian past to stake out a place within the Spanish body politic; their participation in festive rites; and their role as artists. Lavishly illustrated, this ambitious book provides a compelling and original framework by which to understand the intersection of vision and power in the Spanish colonial world.
"synopsis" may belong to another edition of this title.
Ilona Katzew is curator and co-department head of Latin American art at the Los Angeles County Museum of Art.
IIona Katzew, Contested Visions in the Spanish Colonial World has won the Eleanor Tufts Award for 2012, sponsored by the American Society of Hispanic Art Historical Studies. (Eleanor Tufts Award American Society for Hispanic Art Historical Studies 2012-02-27)
"About this title" may belong to another edition of this title.
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Hardcover. Condition: Good. Dust Jacket Condition: Good. Light scuffing to dust jacket, cover boards. Tiny ding to top edge of front cover. Otherwise, clean and sound. 319 pgs. Exhibition Catalogue. LACMA and Yale. 2012. NEW clear mylar sleeve covers jacket. Seller Inventory # 3400visions
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Hardcover. Condition: Very good +. Dust Jacket Condition: very good +. First Edition. 4to (31 x 27 cm). 319 pp. Maroon cloth covers with debossed titles to upper and spine. Text block tight and unmarked. Unclipped DJ in Mylar. Seller Inventory # 4288
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Seller: Kloof Booksellers & Scientia Verlag, Amsterdam, Netherlands
Condition: as new. New Haven : Yale University Press, 2011. Hardcover. Dustjacket. 320 pp. 28cm. Ills. Heavy item, additional shipping costs outside the EU apply. - Contested Visions offers a comparative view of the two principal viceroyalties of Spanish America: Mexico and Peru. Spanning developments from the 15th to the 19th century, this ambitious book looks at the many ways and contexts in which indigenous peoples were represented in art of the early modern period-by colonial artists, European artists, and themselves. More than two hundred works of art, including paintings, sculptures, illustrated books, maps, codices, manuscripts, and other materials such as textiles, keros, and feather works, are reproduced in full-color illustrations, demonstrating the rich variety of these artistic approaches. A collection of essays by an international team of distinguished scholars in the field uncovers the different meanings and purposes behind these depictions of native populations of the Americas. These experts explore the role of the visual arts in negotiating a sense of place in late pre-Columbian and colonial Latin America. They address a range of important topics, such as the construct of the Indian as a good Christian; how Amerindians drew on their pre-Columbian past to stake out a place within the Spanish body politic; their participation in festive rites; and their role as artists. Lavishly illustrated, this ambitious book provides a compelling and original framework by which to understand the intersection of vision and power in the Spanish colonial world. Condition : as new copy. ISBN 9780300176643. Keywords : ART, colonialism. Seller Inventory # 277470
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Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. 4TO, Hardback with Unclipped Dust Jacket. 319 Pages, Coloured illustrations throughout. Small tear to top of spine of jacket, Few light marks to rear of jacket. Overall a near fine copy in likewise dust jacket. HEAVY BOOK. Extra postage may apply for overseas orders. All books are posted in a sturdy book box. Seller Inventory # 00109-CO45
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Quarto. 319pp including index. A fine copy in a fine dust jacket. In an archival mylar protective wrapper. Exhibition Catalogue Los Angeles County Museum of Art November 6, 2011-January 29, 2012. Seller Inventory # 36916
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Hardcover. Condition: VG/VG. Burgundy cloth boards with stamped lettering on spine. Color-illustrated dust jacket with white lettering. 320 pp. Mainly color illustrations. Published on the occasion of the exhibition presented at "Los Angeles County Museum Art" from November 6, 2011 to January 29, 2012 and at the "National Museum of History" in Mexico, from July 6 to October 7, 2012. Seller Inventory # 165245
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4°, OLeinen m. OSchutzumschlag. 319 S. Einleitung von William B. Taylor. Text in englischer Sprache. Mit zahlreichen farbigen Abbildungen. Sprache: Englisch Gewicht in Gramm: 2700. Seller Inventory # 25289
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