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On January 13, 1968, Johnny Cash took the stage at Folsom Prison in Folsom, California. The concert and the live album, Johnny Cash at Folsom Prison, propelled him to worldwide superstardom with definitive versions of "I Still Miss Someone," "The Long Black Veil," and, of course, "Folsom Prison Blues." He reached new audiences, ignited tremendous growth in the country music industry, and connected with fans in a way no other artist has before or since. Johnny Cash at Folsom Prison is a riveting account of that day, what led to it, and what came after, for Johnny Cash and for America. Michael Streissguth skillfully places the album and the concert in the larger context of Cash's artistic development, popular music of the era, and the California prison system, uncovering new angles and exploding a few myths along the way. Scrupulously researched, rich with the author's unprecedented access to Folsom Prison and Columbia Records' archives, illustrated with 100 photos (many never before published), Johnny Cash at Folsom Prison shows how Johnny Cash forever became a champion of the downtrodden, as well as one of the more enduring forces of American music.
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Michael Streissguth is the author of Johnny Cash at Folsom Prison , editor of Ring of Fire , and an associate professor of English at Le Moyne College in Syracuse, New York.From Publishers Weekly:
The most notorious moment on the live 1968 album Johnny Cash at Folsom Prison occurs when the Man in Black growls the killer line from his 1956 hit "Folsom Prison Blues"—"I shot a man in Reno just to watch him die"—and a convict whoops seemingly in solidarity. Actually, that reaction was added post-production, writes Streissguth: "[W]hat the record buyers heard after Cash uttered the bloody line was pure image-making.... In reality, the crowd had remained enthralled by the first glimpse and words of the black circuit rider before them,...saving their clamorous gusts exclusively for its conclusion." In this enlightening if slightly disjointed and occasionally hyperventilating look at Cash's most famous album, Streissguth examines not only the concert's genesis and the subsequent revitalization of Cash's career, but also Folsom's difficult history, Columbia Records' reluctance about the project, and the role of the folk movement and late-'60s underground press in moving Cash's public image beyond the hillbilly clichés often plastered on country artists. Most compellingly, it presents a fond but unvarnished portrait of Cash, a moralistic, mordantly witty man fighting his own drug-addiction demons, who viewed his prison concerts (he gave more than 30) as a chance to connect with convicts, not preach at them. The myth-making studio tricks, it seems, were superfluous. 100+ photos not seen by PW.
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Book Description Da Capo Press, 2004. Hardcover. Condition: New. Seller Inventory # DADAX0306813386
Book Description Da Capo Press, 2004. Condition: New. book. Seller Inventory # M0306813386
Book Description Da Capo Press. Hardcover. Condition: New. 0306813386 New Condition. Seller Inventory # NEW7.0075209
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