I grew up as the son of a man who could not possibly have been my father. Though there was never any doubt that my seed had come from another man, Moses Froben, Lo Svizzero, called me “son.” And I called him “father.” On the rare occasions when someone dared to ask for clarification, he simply laughed as though the questioner were obtuse. “Of course he’s not my son!” he would say. “Don’t be ridiculous.”
But whenever I myself gained the courage to ask him further of our past, he just looked sadly at me. “Please, Nicolai,” he would say after a moment, as though we had made a pact I had forgotten. With time, I came to understand I would never know the secrets of my birth, for my father was the only one who knew these secrets, and he would take them to his grave.
The celebrated opera singer Lo Svizzero was born in a belfry high in the Swiss Alps where his mother served as the keeper of the loudest and most beautiful bells in the land. Shaped by the bells’ glorious music, as a boy he possessed an extraordinary gift for sound. But when his preternatural hearing was discovered—along with its power to expose the sins of the church—young Moses Froben was cast out of his village with only his ears to guide him in a world fraught with danger.
Rescued from certain death by two traveling monks, he finds refuge at the vast and powerful Abbey of St. Gall. There, his ears lead him through the ancient stone hallways and past the monks’ cells into the choir, where he aches to join the singers in their strange and enchanting song. Suddenly Moses knows his true gift, his purpose. Like his mother’s bells, he rings with sound and soon, he becomes the protégé of the Abbey’s brilliant yet repulsive choirmaster, Ulrich.
But it is this gift that will cause Moses’ greatest misfortune: determined to preserve his brilliant pupil’s voice, Ulrich has Moses castrated. Now a young man, he will forever sing with the exquisite voice of an angel—a musico—yet castration is an abomination in the Swiss Confederation, and so he must hide his shameful condition from his friends and even from the girl he has come to love. When his saviors are exiled and his beloved leaves St. Gall for an arranged marriage in Vienna, he decides he can deny the truth no longer and he follows her—to sumptuous Vienna, to the former monks who saved his life, to an apprenticeship at one of Europe’s greatest theaters, and to the premiere of one of history’s most beloved operas.
In this confessional letter to his son, Moses recounts how his gift for sound led him on an astonishing journey to Europe’s celebrated opera houses and reveals the secret that has long shadowed his fame: How did Moses Froben, world renowned musico, come to raise a son who by all rights he never could have sired?
Like the voice of Lo Svizzero, The Bells is a sublime debut novel that rings with passion, courage, and beauty.
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RICHARD HARVELL was born in New Hampshire and studied English literature at Dartmouth College. He lives in Basel, Switzerland, with his wife and children. This is his first novel.
A Note to the Reader
I grew up as the son of a man who could not possibly have been my
father. Though there was never any doubt that my seed had come
from another man, Moses Froben, Lo Svizzero, called me “son.” And I
called him “father.” On the rare occasions when someone dared to
ask for clarifi cation, he simply laughed as though the questioner were
being obtuse. “Of course he’s not my son!” he would say. “Don’t be
But whenever I myself gained the courage to ask him further of
our past, he just looked at me sadly. “Please, Nicolai,” he would say
after a moment, as though we had made a pact I had forgotten. With
time, I came to understand I would never know the secrets of my
birth, for my father was the only one who knew these secrets, and he
would take them to his grave.
This aside, no child could have wished for more. I accompanied
him from Venice to Naples and, fi nally, here, to London. Indeed, I
rarely left his side until I entered Oxford. Even after that, as I began
my own, unrelated, career, at no time were we ever more than two
months absent from each other’s company. I heard him sing in
Eu rope’s greatest opera houses. I sat beside him in his carriage as
mobs of admirers ran alongside and begged him to grace them with a
smile. Through all of this, I never knew anything of the poor Moses
Froben, but only of the renowned Lo Svizzero, who could make ladies
swoon with a mere wave of his hand, who could bring an audience
to tears with his voice.
And so you can imagine my surprise, a week after my father’s
death last spring, to fi nd among his things this stack of papers. And
more, to fi nd within them all I had sought to know: of my father’s
birth and mine; of the origin of my name; of my mother; and of the
crime that had kept my father silent.
Though he appears to have had me in mind as his reader, I cannot
believe he did not wish these words for other eyes as well. This
was a singer, remember, who practiced with an open window, so any
man or woman passing on the street would have the chance to hear an
London, October 6, 1806
First, there were the bells. Three of them, cast from warped shovels,
rakes, and hoes, cracked cauldrons, dulled ploughshares, one rusted
stove, and, melted into each, a single golden coin. They were rough
and black except along their silvery lips, where my mother’s mallets
had struck a million strokes. She was small enough to dance beneath
them in the belfry. When she swung, her feet leapt from the polished
wooden planks, so that when the mallet met the bell, it rang from the
bell’s crown to the tips of my mother’s pointed toes.
They were the Loudest Bells on Earth, all the Urners said, and
though now I know a louder one, their place high above the Uri Valley
made them very loud indeed. The peal could be heard from the waters
of Lake Lucerne to the snows of the Gotthard Pass. The ringing
greeted traders come from Italy. Columns of Swiss soldiers pressed
their palms against their ears as they marched the Uri Road. When
the bells began to sound, teams of oxen refused to move. Even the fattest
men lost the urge to eat, from the quivering of their bowels. The
cows that grazed the nearby pastures were all long since deaf. Even the
youn gest herders had the dull ears of old men, though they hid in
their huts morning, noon, and night when my mother rang her bells.
I was born in that belfry, above the tiny church. There I was
nursed. When it was warm enough, there we slept. Whenever my
mother did not swing her mallets, we huddled beneath the bells, the
four walls of the belfry open to the world. She sheltered me from the
wind and stroked my brow. Though she never spoke a word to me,
nor I to her, she watched my mouth as I babbled infant sounds. She
tickled me so I would laugh. When I learned to crawl, she held my
foot so I did not creep off the edge and fall to my death on the jutting
rocks below. She helped me stand. I held a fi nger in each fi st, and she
led me round and round, past each edge a hundred times a day. In
terms of space, our belfry was a tiny world— most would have thought
it a prison for a child. But in terms of sound, it was the most massive
home on earth. For every sound ever made was trapped in the metal
of those bells, and the instant my mother struck them, she released
their beauty to the world. So many ears heard the thunderous pealing
echo through the mountains. They hated it; or were inspired by its
might; or were entranced until they stared blindly into space; or
cried as the vibrations shook their sadness out. But they did not fi nd
it beautiful. They could not. The beauty of the pealing was reserved
for my mother, and for me, alone.
I wish that were the beginning: my mother and those bells, the Eve
and Adam of my voice, my joys, and my sorrows. But of course that is
not true. I have a father; my mother had one as well. And the bells,
too; they had a father. Theirs was Richard Kilchmar, who, one night
in 1725, tottered on a table, so drunk he saw two moons instead of
He shut one eye and squished the other so the two moons resolved
into a single fuzzy orb. He looked about: Two hundred men
fi lled Altdorf’s square, in a town that was, and was proud to be, at the
very center of the Swiss Confederation. These men were celebrating
the harvest, and the coronation of the new pope, and the warm summer
night. Two hundred men ankle- deep in piss- soaked mud. Two
hundred men with mugs of acrid Schnapps burned from Uri pears.
Two hundred men as drunk as Richard Kilchmar.
“Quiet!” he yelled into the night, which seemed as warm and
clear to him as the thoughts within his head. “I will speak!”
“Speak!” they yelled.
They were quiet. High above, the Alps shone in the moonlight
like teeth in black, rotting gums.
“Protestants are dogs!” he yelled, raised his mug, and nearly
stumbled off the table. They cheered and cursed the dogs in Zu rich,
who were rich. They cursed the dogs in Bern, who had guns and an
army that could climb the mountains and conquer Uri if they wished.
They cursed the dogs in German lands farther north, who had never
heard of Uri. They cursed the dogs for hating music, for defaming
Mary, for wishing to rewrite the Holy Book.
These curses, two hundred years dull in the capitals of Eu rope,
pierced Kilchmar’s heart. They brought tears to his eyes— these men
before him were his brothers! But what could he reply? What could
he promise them? So little. He could not build them a fort with cannons.
He was one of Uri’s richest men, but still, he could not afford
an army. He could not soothe them with his wisdom, for he was not a
man of words.
Then they all heard it, the answer to his silent plea. A ringing
that made them raise their bleary eyes toward heaven. Someone had
climbed the church’s belfry and tolled the church’s bell. It was the
most beautiful, heartaching sound Richard Kilchmar had ever heard.
It resounded off the houses. It echoed off the mountains. The peal
tickled his swollen belly. When the ringing ceased, the silence was as
warm and wet as the tears Kilchmar rubbed from out his eyes.
He nodded at the crowd. Two hundred heads nodded back at him.
“I will give you bells,” he whispered. He sloshed his drink at the
midnight sky. His voice rose to a shout. “I will build a church to house
them, high up in the mountains, so the ringing echoes to every inch
of Uri soil! They will be the Loudest and Most Beautiful Bells Ever!”
They cheered even more loudly now than they had before. He
raised his arms in triumph. Schnapps washed his brow. Then he and
every man plunged their eyes into the bottom of their mugs and
drank them empty, sealing Kilchmar’s pledge.
As he drank the fi nal drop, Kilchmar stumbled back, tripped,
and fell. He spent the rest of the night lying in the mud, dreaming of
He awoke to a circle of blue sky ringed by twenty reverent faces.
“Lead us!” they implored him.
Their veneration seemed to lift him to his feet, and after six or
eight swigs from their fl asks, he felt more weightless still. Soon he
found himself on his horse leading a pro cession: fi fty horses; several
carts fi lled with women; children and dogs darting through the
grasses. Where to lead them he did not know, for until that day he’d
found the mountains menacing and hostile. But now he led them up
the Uri Road toward Italy, toward the pope, toward snowfi elds glittering
in the sun, and then, when inspiration took him, turned off
and began to climb.
Up and up they went, almost to the cliffs and snow. Kilchmar
now led fi ve hundred Urners, and they followed him until they
reached a rocky promontory and beheld the valley stretched before
them, the river Reuss a thin white thread stitching it together.
“Here,” he whispered. “Here.”
“Here,” they echoed. “Here.”
They turned then to regard the tiny village just below them, a
mere jumble of squalid houses. The villagers and their scrawny cows
stared back in awe at the assemblage on the rocky hill.
This tiny, starved village I write of is Nebelmatt. In this village I
was born (may it burn to the ground and be covered by an avalanche).
Kilchmar’s church was completed in 1727, built of only Uri sweat and
Uri stone, so that, in the winter months, no matter how much wood
was wasted in the stove, the church remained as cold as t...
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