Clubland: The Fabulous Rise and Murderous Fall of Club Culture

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9780312287665: Clubland: The Fabulous Rise and Murderous Fall of Club Culture

In 1995, journalist Frank Owen began researching a story on “Special K,” a new designer drug that fueled the after-midnight club scene. He went to buy and sample the drug at the internationally-notorious Limelight, a decrepit church converted into a Manhattan disco, where pulse-pounding music, gender-bending dancers, and uninhibited sideshows attracted long lines of hopeful onlookers. Clubland is the story of Owen’s six year journey behind the velvet ropes, into the cavernous clubs where any transformation was possible, every extreme permissible—even murder.

At first, Owen found an unexpected common ground between very different people: stockbrokers danced with transvestites, pacifier-sucking “club kids” with celebrities, thick-necked jocks with misfits. But as money flowed into the clubs, the music darkened, the drugs intensified, and the carnival spiraled out of control. Four men defined the scene, all of them outsiders, who saw in clubland the chance to escape their pasts and reinvent themselves by making their own rules. Peter Gatien rose from a small Canadian milltown to become the most powerful club operator in America; Michael Alig, a gay misfit from the midwest, escaped to Manhattan where he won a legion of fashion-and-drug enamored followers; Lord Michael Caruso left Staten Island’s bars for the rave parties of England, returning as clubland’s leading drug dealer and techno music pioneer; and Chris Paciello began as a brutal Bensonhurst gang member, then recast himself as the glamorous prince of Miami Beach, partying with Madonna and Jennifer Lopez at the exclusive nightspots he created. Each of them had secrets that led them over the edge, and when when clubland fell, it left behind tragic human consequences: the disillusioned, the strung out, and the dead.

A tour de force of investigative and participatory journalism, Clubland offers a dramatic exposé of a world built on illusion, where morality is ambiguous, identity changeable, and money the root of both ecstasy and evil.

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From the Inside Flap:

Outrageous parties. Brazen drug use. Fantastical costumes. Celebrities. Wannabes. Gender-bending club kids. Pulse-pounding beats. Sinful orgies. Botched police raids. Depraved criminals. Murder.
Welcome to the decadent nineties club scene.
In 1995, journalist Frank Owen began researching a story on Special K, a designer drug that fueled the after-midnight club scene. He went to buy and sample the drug at the internationally notorious Limelight, a crumbling church converted into a Manhattan disco, where mesmerizing music, ecstatic dancers, and uninhibited sideshows attracted long lines of hopeful onlookers. Owen discovered a world where reckless hedonism was elevated to an art form, and where the ever-accelerating party finally spun out of control in the hands of notorious club owner Peter Gatien and his minions. In" Clubland, Owen reveals how a lethal drug ring operated in a lawless, black-lit realm of fantasy, and how, when the lights came up, their excesses left countless victims in their wake.
Praised for his risk-taking and exhilarating writing style, Frank Owen has spawned a hybrid of literary nonfiction and true crime, capturing the zeitgeist of a world that emerged in the spirit of "peace, love, unity and respect," and ended in tragedy.

From the Back Cover:

"Immensely entertaining. It all plays like Saturday Night Fever remade with the cast of Goodfellas and directed in high Grand Guignol style by Luis Buñuel.” —The Boston Globe

"Positively riveting...to be enjoyed even by those who've never stepped foot anywhere more stimulating than a Howard Johnson's." —San Francisco Chronicle

"The French Connection remixed for the ‘chemical generation.’”–The Guardian

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