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On the 40th anniversary of John F. Kennedy's assassination, the New York Times is republishing all of its coverage from November 22, the day Lee Harvey Oswald shot Kennedy, to November 25, the day of the president's funeral. Readers who recall the assassination will find their memories jarred by long-forgotten details, such as the name of the Dallas police officer killed during the Oswald manhunt (it was Tippit). They will also be surprised by names of then unknown players that are now familiar (one is 29-year-old Bill Moyers, described as "[a]mong the closest and brightest of Mr. Johnson's intimates"), while the names of lions of the day, like Speaker of the House Sam Rayburn, may be barely recalled. Many will also be struck with how unpredictable was the future that in retrospect seems inevitable. In the moment, there is no hint that a snippet of film taken by "home movie enthusiast" Abraham Zapruder would become the driving force for a cult of conspiracy theorists. Likewise, newly sworn-in President Johnson's fateful commitment to winning the war in Vietnam is buried in a "background" article. This is not a book to be read cover to cover many articles are of little interest but there are some examples of terrific writing: Tom Wicker, James Reston and Anthony Lewis were all in their prime. Overall, the more than 600 pages of coverage engenders a deep appreciation of how profound was the country's anguish at the loss of its young president. 32 pages of b&w photos not seen by PW.
Copyright 2003 Reed Business Information, Inc.
Within hours of the assassination of John Kennedy, Tom Wicker typed out the first what-happened article from Dallas; James Reston groped for what-it-means analysis; and Nan Robertson and Russell Baker sketched portraits of mourning crowds in Washington, D.C. These brand names in journalism helped produce the New York Times' proverbial first draft of history, reproduced here in its entirety up to the burial of the murdered president. Wicker introduces this volume with his own essay on the assassination's significance, but more novel to readers will be his description of how he put together, in the initial confusion following the attack on Kennedy, the report the Times printed the next day. He got a lot of it right, which supports Wicker's contention that this reportage represents the last stand of print journalism against television. Indeed, the ascendance of TV is visible here in articles that simply describe scenes seen on the tube, such as the murder of the accused assassin. The fortieth anniversary of the assassination will create demand for this Times capsule. Gilbert Taylor
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