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Jewison's movies have received 12 Academy Awards and 46 nominations, a remarkable record for a filmography that numbers only 25 films. His autobiography's unassuming style offers a clear, accessible portrait of the man and overflows with revealing anecdotes about such luminaries as Steve McQueen, Doris Day, Al Pacino, Sidney Poitier and Denzel Washington. After finding success in live television working with Judy Garland, Jackie Gleason and Danny Kaye, Jewison began his motion picture career with 40 Pounds of Trouble (1962); survived a bomb, The Art of Love (1965); and eventually turned out a series of classics: The Cincinnati Kid (1965), The Thomas Crown Affair (1968), Fiddler on the Roof (1971) and Moonstruck (1987). He defines Doris Day (The Thrill of It All, 1963) as a consummate comedian who lacked confidence in her appearance; and Sylvester Stallone (F.I.S.T., 1978) as someone who "behaved like he believed his own publicity." Jewison also describes his approach to filmmaking, explaining his actions at the all-important pitch meeting, and demonstrates how focused a director must be. Honest without becoming a tell-all or an airing of personal problems, the book is a successful study of what it takes to triumph in Hollywood and achieve artistic satisfaction. Photos. (Sept.)
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Jewison, a seasoned filmmaker known for hits as diverse as In the Heat of the Night, Moonstruck, and Fiddler on the Roof, focuses on his work rather than his life outside of it, trying to be "truthful and entertaining . . . serious and sometimes funny," and jumping about in time and place as association leads him in an irresistibly elliptical manner. He grew up working in the family dry-goods store in Toronto during the Depression, when Doc Edmunds performed door-to-door bargain tonsillectomies on kitchen tables for $24.95, and where Jewison perfected the art of the sales pitch that has aided him throughout his career. Via agent Larry Auerbach, he developed his resume directing American variety shows, including a Judy Garland comeback special, in the 1950s. The Thrill of It All! an immensely profitable Doris Day romance, followed, along with The Cincinnati Kid, a project taken over from hard-drinking Sam Peckinpah. The behind-the-scenes drama and comedy of his long career, presented with straightforward candor, should delight film mavens and general readers alike. Whitney Scott
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