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Heavy with allusions to Thomas Wolfe, Lewis Carroll, Nietzsche, Kafka and other literary giants, British author Poulson's absorbing second Cambridge mystery (after 2004's Murder Is Academic) concerns Professor Cassandra James's efforts to cope with single motherhood while making a trouble-ridden dramatic debut at the Everyman Theatre. She has rewritten Mrs. Henry Wood's 1860s novel East Lynne as a play, and during rehearsals must deal with a ghostly apparition in the gallery, followed by the abrupt disappearance of her close friend and leading lady, Melissa Meadow. Cass comments that "life does seem to be mirroring art in a rather disturbing way" when an anonymous letter quoting a Byron love poem offers the only clue to Melissa's whereabouts. Much of the story concerns such maternal challenges as breast-feeding, squalling babies in "nappies" and postpartum depression, yet somehow Cass finds time to break into her missing friend's empty house and eventually track down both her own and Melissa's abusive ex-spouses and other lovers. Skillful blendings of reality with Tarot card prophesies and dream visions lead to a stunning resolution.
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In this second addition to the series featuring Cambridge professor Cassandra James Murder Is Academic, 2004), Cass is stuck at home with baby Grace while her husband is away on business. The disappearance of the leading lady in a local community theater production draws Cass into a real-life melodrama involving a jealous husband, a cloaked figure in the loges, an illicit affair, a kidnapping, and a surprise visit from her ex-husband. Self-centered actors, a bumbling detective, and a duo of screaming babies conspire to drive Cass nuts as she searches for clues as to why the leading lady would abandon her acting career, her marriage, and her newborn child. Or why someone would want to get rid of her. Encompassing attributes of both an English cozy and a classic "woman-and-child-in-danger" thriller, this quick little read is sure to please fans of both subgenres. Jennifer Baker
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