CO-ED SLAIN. That’s the call that brings St. Louis Police Lieutenant George Hastings to the downtown banks of the Mississippi River, where Reesa Woods has been strangled and dumped. The hard-charging Hastings is no stranger to murder, but he’s stuck without any leads until a second body—also strangled—turns up across town and he knows he’s chasing a monster.
A talented doctor with an otherwise ordinary and enviable life, Raymond Sheffield has some very dark needs. His first victims are targets of opportunity, but his ambitions go far beyond that. He’s formed a taste for killing, and his only interest is in getting better at it.
As the violence mounts, the line between upstanding citizens and their secret desires gets thinner and thinner in this thrilling game of catch-me-if-you-can from acclaimed crime novelist James Patrick Hunt.
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Advance Praise for The Assailant
“Equal parts thriller and procedural… [The killer’s] cat-and-mouse game with Hastings is carefully and disturbingly rendered.… Darkly entertaining.”
—Booklist
Praise for Goodbye Sister Disco
“Hunt unspools this gripping plot at breakneck speed. Not a word seems wasted, whether in breathtaking action sequences or in back-story sketches of the book’s various players.”
—The Wall Street Journal
“Hunt’s roller coaster of a crime thriller has it all—great characters, plenty of action, and a nail-biting ending.”
—Library Journal (starred review)
“The superbly drawn characters in this mix of thriller and police procedural would do Joseph Wambaugh or Michael Connelly proud.… Another fine piece of work.”
—Booklist (starred review)
Praise for The Betrayers
“Densely woven, economical and utterly assured. Hunt plots like a veteran of urban warfare.”
—Kirkus Reviews
In his third outing (after Goodbye Sister Disco and The Betrayers), Lieutenant George Hastings of the St. Louis PD is called out when the strangled corpse of a co-ed high-priced escort is discovered dumped on the banks of the Mississippi. When another woman is found strangled to death, Hastings suspects there might be a serial killer on the loose, but the city's powers-that-be want a quick end to the case. While the serial killer plot is not particularly fresh, Hunt's nail-biting storytelling keeps readers in its grip until the end. For those who like John Sandford and remember David L. Lindsey's Houston homicide detective Stuart Haydon.
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Colorless characters and a recycled plot line undercut Hunt's third procedural to feature Lt. George Hastings of the St. Louis police (after 2008's Goodbye Sister Disco). Assigned to look into the strangulation of a prostitute, Hastings doesn't get far on the case before a second hooker turns up dead. Those expecting a whodunit may be dismayed to learn about a quarter of the way into the story that the killer is a local surgeon, Raymond Sheffield. Eager to be recognized for his crimes, if only under the moniker Springheel Jim, Sheffield calls journalist Cliff Llewellyn to tip Llewellyn off that the two slayings are linked, that there's now a third victim—and that a public library book on Jack the Ripper contains a vital clue. Hastings is a competent enough investigator, but the reader has little basis to believe that without Sheffield's revealing phone call Hastings would ever catch the killer. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
The body was found on the bank of the Mississippi, near downtown St. Louis. Strangled but no sign of sexual assault: what homicide lieutenant George Hastings calls a “joy” killing—murder for the cheap thrill of it. The victim, a student at a local university, moonlighted as a high-end escort. The investigation cools until another escort is found murdered in the same fashion. A task force is formed with the intent of catching the killer before the press gets the story and the city panics. Interviews with the victims’ johns reveal only a series of lonely, embarrassed, and frightened men. Then the killer sends a note to the newspaper taking credit for the two killings, mocking the police, and promising more death. The third entry in the Hastings series (following Goodbye Sister Disco, 2008) is equal parts thriller and procedural. The killer is identified early, and his cat-and-mouse game with Hastings is carefully and disturbingly rendered. Most unsettling is the killer’s scrupulously constructed and maintained facade of “niceness.” Darkly entertaining. --Wes Lukowsky
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