Let Me In Takes Top Honors at Tribeca Film Festival and is now an Award-winning movie in both the U.S. and Sweden!
It is autumn 1981 when inconceivable horror comes to Blackeberg, a suburb in Sweden. The body of a teenager is found, emptied of blood, the murder rumored to be part of a ritual killing. Twelve-year-old Oskar is personally hoping that revenge has come at long last---revenge for the bullying he endures at school, day after day.
But the murder is not the most important thing on his mind. A new girl has moved in next door---a girl who has never seen a Rubik's Cube before, but who can solve it at once. There is something wrong with her, though, something odd. And she only comes out at night. . . .Sweeping top honors at film festivals all over the globe, Let Me In has received the same kind of spectacular raves that have been lavished on the book. American and Swedish readers of vampire fiction will be thrilled!
Following the success in Sweden, this movie was remade in 2010 starring Kodi Smit Mcpheem, Chloe Grace Moretz and Richard Jenkins changing its name from the Swedish Let The Right One In. The story has continued to reach new viewers in a London Musical and the book remains a vampire favorite among its readers.
"synopsis" may belong to another edition of this title.
John Ajvide Lindqvist's debut novel, Let Me In, was an instant bestseller in Sweden and was named Best Novel in Translation 2005 in Norway. The Swedish film adaptation, Let the Right One In, directed by Tomas Alfredsson, has won top honors at film festivals all over the globe, including Best Narrative Feature at the Tribeca Film Festival. An American remake, written and directed by Cloverfield director Matt Reeves, was released in October 2010 to rave reviews.
Lindqvist grew up in Blackeberg, a suburb of Stockholm and the setting for Let Me In. Wanting to become something awful and fantastic, he first became a conjurer, and then was a stand-up comedian for twelve years. He has also written for Swedish television. He lives in Sweden.
LUCKY IS HE WHO HAS SUCH A FRIEND
will burst your bubble
—Siw Malmkvist, “Love Trouble”
trans. Laurie Thompson
I never wanted to kill. I am not naturally evil
Such things I do
just to make myself more attractive to you
Have I failed?
—Morrissey, “The Last of The Famous International Playboys”
21 OCTOBER 1981
And what do you think this might be?”
Gunnar Holmberg, police commissioner from Vällingby, held up a little plastic bag of white powder.
Maybe heroin, but no one dared say anything. Didn’t want to be suspected of knowing anything about stuff like that. Especially if you had a brother or a friend of your brother who did it. Shoot horse. Even the girls didn’t say anything. The policeman shook the bag.
“Baking powder, do you think? Flour?”
A mumble of answers in the negative. They didn’t want him to think class 6B was a bunch of idiots. Even though it was impossible to determine what was really in the bag, this lesson was about drugs, so you could draw certain conclusions. The policeman turned to the teacher.
“What do you teach them in Home Economics these days?”
The teacher smiled and shrugged her shoulders. The class laughed; the cop was OK. Some of the guys had even been allowed to touch his gun before class. It wasn’t loaded, but still.
Oskar’s chest felt like it was about to burst. He knew the answer to the question. It hurt him not to say anything when he knew. He wanted the policeman to look at him. Look at him and tell him he was right. He knew it was a dumb thing to do, but he still put his hand up.
“It’s heroin, isn’t it?”
“In fact it is.” The policeman looked kindly at him. “How did you know?”
Heads turned in his direction, curious as to what he was going to say.
“Naw ... I mean, I’ve read a lot and stuff.”
The policeman nodded.
“Now there’s a good thing. Reading.” He shook the little bag. “You won’t have much time for it if you get into this, though. How much do you think this little bag is worth?”
Oskar didn’t feel the need to say anything else. He had been looked at and spoken to. Had even been able to tell the cop he read a lot. That was more than he had hoped for.
He let himself sink into a daydream. How the policeman came up to him after class and was interested in him, sat down next to him. Then he would tell him everything. And the policeman would understand. He would stroke his hair and tell him he was alright; would hold him and say ...
Jonny Forsberg drove a hard finger into his side. Jonny’s brother ran with the drug crowd and Jonny knew a lot of words that the other guys in the class quickly picked up. Jonny probably knew exactly how much that bag was worth but he didn’t snitch. Didn’t talk to the cop.
It was recess and Oskar lingered by the coat rack, indecisive. Jonny wanted to hurt him—what was the best way to avoid it? By staying here in the hallway or going outside? Jonny and the other class members stormed out the doors into the schoolyard.
That’s right; the policeman had his car parked in the schoolyard and anyone who was interested could come take a look. Jonny wouldn’t dare beat him up when the policeman was there.
Oskar walked down to the double front doors and looked out the glass window. Just as he thought, everyone in the class had gathered around the patrol car. Oskar would also have wanted to be there but there was no point. Someone would knee him, another pull his underpants up in a wedgie, policeman or no policeman.
But at least he was off the hook this recess. He went out into the schoolyard and snuck around the back of the building, to the bathrooms.
Once he was in the bathroom he listened, cleared his throat. The sound echoed through the stalls. He reached his hand into his underpants and quickly pulled out the Pissball, a piece of foam about the size of a clementine that he had cut out of an old mattress and put a hole in for his penis. He smelled it.
Yup, he had pissed in his pants again. He rinsed it under the tap, squeezing out as much water as possible.
Incontinence. That was what it was called. He had read about it in a pamphlet that he had sneaked from the drugstore. Mostly something old women suffered from.
There were prescription medicines you could get, it said in the pamphlet, but he did not intend to use his allowance so he could humiliate himself at the prescription counter. And he would definitely not tell his mother; she would feel so sorry for him it would make him sick.
He had the Pissball and it worked for now.
Footsteps outside, voices. Pissball in hand, he fled into the nearest stall and locked the door at the same time as the outer door opened. He soundlessly climbed up onto the toilet seat, curling into a ball so his feet wouldn’t show if anyone looked under the door. Tried not to breathe.
Jonny, of course.
“Hey Piggy, are you here?”
Micke was with him. The worst two of the lot. No, Tomas was worse but he was almost never in on stuff that involved physical blows and scratches. Too smart for that. Was probably sucking up to the policeman right now. If the Pissball were discovered, Tomas was the one who would really be able to use it to hurt and humiliate him for a long time. Jonny and Micke, on the other hand, would just beat him up and that was fine with him. So in a way he was actually lucky. ...
“Piggy? We know you’re in here.”
They checked his stall. Shook the door. Banged on it. Oskar wrapped his arms tightly around his legs and clenched his teeth so he wouldn’t scream.
Go away! Leave me alone! Why can’t you leave me alone?
Now Jonny was talking in a mild voice.
“Little Pig, if you don’t come out now we have to get you after school. Is that what you want?”
It was quiet for a while. Oskar exhaled carefully.
They attacked the door with kicks and blows. The whole bathroom thundered and the lock on the stall door started to bend inward. He should open it, go out to them before they got too mad, but he just couldn’t.
He had put his hand up in class, a declaration of existence, a claim that he knew something. And that was forbidden to him. They could give a number of reasons for why they had to torment him; he was too fat, too ugly, too disgusting. But the real problem was simply that he existed, and every reminder of his existence was a crime.
They were probably just going to “baptize” him. Shove his head into the toilet bowl and flush. Regardless of what they invented, it was always such a relief when it was over. So why couldn’t he just pull back the lock, that was in any case going to tear off at the hinges at any moment, and let them have their fun?
He stared at the bolt that was forced out of the lock with a crack, at the door that flung open and banged into the wall, at Micke Siskov’s triumphantly smiling face, and then he knew.
That wasn’t the way the game was played.
He couldn’t have pulled back the lock, they couldn’t simply have climbed over the sides of the stall in all of three seconds, because those weren’t the rules of the game.
Theirs was the intoxication of the hunter, his the terror of the prey. Once they had actually captured him the fun was over and the punishment more of a duty that had to be carried out. If he gave up too early there was a chance they would put more of their energy into the punishment instead of the hunt. That would be worse.
Jonny Forsberg stuck his head in.
“You’ll have to open the lid if you’re going to shit, you know. Go on, squeal like a pig.”
And Oskar squealed like a pig. That was a part of it. If he squealed they would sometimes leave it at that. He put extra effort into it this time, afraid they would otherwise force his hand out of his pants in the process of punishing him and uncover his disgusting secret.
He wrinkled up his nose like a pig’s and squealed; grunted and squealed. Jonny and Micke laughed.
“Fucking pig, go on, squeal some more.”
Oskar carried on. Shut his eyes tight and kept going. Balled his hands up into fists so hard that his nails went into his palms, and kept going. Grunted and squealed until he felt a funny taste in his mouth. Then he stopped and opened his eyes.
They were gone.
He stayed put, curled up on the toilet seat, and stared down at the floor. There was a red spot on the tile below. While he was watching, another drop fell from his nose. He tore off a piece of toilet paper and held it against his nostril.
This sometimes happened when he was scared. His nose started to bleed, just like that. It had helped him a few times when they were thinking about hitting him, and decided against it since he was already bleeding.
Oskar Eriksson sat there curled up with a wad of paper in one hand and his Pissball in the other. Got nosebleeds, wet his pants, talked too much. Leaked from every orifice. Soon he would probably start to shit his pants as well. Piggy.
He got up and left the bathroom. Didn’t wipe up the drop of blood. Let someone see it, let them wonder. Let them think someone had been killed here, because someone had been killed here. And for the hundreth time.
Håkan Bengtsson, a forty-five-year-old man with an incipient beer belly, a receding hairline, and an address unknown to the authorities, was sitting on the subway, staring out of the window at what was to be his new home.
It was a little ugly, actually. Norrköping would have been nicer. But having said that, these western suburbs didn’t look anything li...
"About this title" may belong to another edition of this title.
Book Description St. Martin's Griffin, 2010. Paperback. Book Condition: New. New Condition, Bookseller Inventory # 1708160160
Book Description St. Martin's Griffin, 2010. Trade paperback. Book Condition: New. Trade paperback (US). Glued binding. 496 p. Audience: General/trade. Bookseller Inventory # Alibris_0018819
Book Description St. Martin's Griffin 2010-08-31, 2010. Paperback. Book Condition: New. Paperback. Publisher overstock, may contain remainder mark on edge. Bookseller Inventory # 9780312656492B
Book Description MacMillan Publishers. Book Condition: New. Brand New. Bookseller Inventory # 0312656491
Book Description 2010. PAP. Book Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # VV-9780312656492
Book Description St. Martin's Griffin 8/31/2010, 2010. Paperback or Softback. Book Condition: New. Let Me in. Book. Bookseller Inventory # BBS-9780312656492
Book Description St. Martin's Griffin, 2010. Paperback. Book Condition: New. Never used!. Bookseller Inventory # 0312656491
Book Description St. Martin's Griffin. PAPERBACK. Book Condition: New. 0312656491 BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!|0.99. Bookseller Inventory # OTF-S-9780312656492
Book Description St. Martin's Griffin, 2004. Paperback. Book Condition: New. 0312656491. Bookseller Inventory # IM178615
Book Description St. Martin's Griffin. PAPERBACK. Book Condition: New. 0312656491 *BRAND NEW* Ships Same Day or Next!. Bookseller Inventory # NATARAJB1FI1068981