About the Author:
William S. Burroughs was born on February 5, 1914 in St Louis. In work and in life Burroughs expressed a lifelong subversion of the morality, politics and economics of modern America. To escape those conditions, and in particular his treatment as a homosexual and a drug-user, Burroughs left his homeland in 1950, and soon after began writing. By the time of his death he was widely recognised as one of the most politically trenchant, culturally influential, and innovative artists of the twentieth century. His numerous books include Naked Lunch, Junky, Queer, Nova Express, Interzone, The Wild Boys, The Ticket That Exploded and The Soft Machine. After living in Mexico City, Tangier, Paris, and London, Burroughs finally returned to America in 1974. He died in 1997.
From Publishers Weekly:
Burroughs seems to grow ever more trite with the passage of time, his rebellion against society a lame thing. Fans will probably enjoy this fragmentary collection of letters, journal entries, stories and autobiographical sketches from the mid-1950s. In style the pieces range from straightforward sociological descriptions of Tangier, where he has dope and young boys, to Kafkaesque fables ("Dream of the Penal Colony") to surreal, manic pastiche. In another story, the protagonist cuts off the joint of his little finger, then pops into his psychiatrist's office and makes light of his condition. The centerpiece is "WORD," a long, hitherto unpublished section from the working manuscript ( Interzone ) that eventually became the novel Naked Lunch. Rediscovered in 1984, "WORD" is a hipster's incoherent cosmic rant, sexually wild and often deliberately offensive. Burroughs's sense that we are all specters in a waking nightmare, so dominant in his recent fiction, is prefigured here in a futuristic sketch of a nameless U.S. city wracked by forces of evil and repression.
Copyright 1988 Reed Business Information, Inc.
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