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Walk in Hell takes us from fall, 1915, through 1916. Soldiers, sailors, and airmen continue the fight, but much happens behind the lines too. Turtledove's characters include Jewish immigrants who are socialist and antiwar, a widow running a coffee house in CSA-occupied Washington, D.C., who passes information to the USA, and two Canadian farmers living under U.S. occupation in Quebec and Manitoba. He vividly conveys the human side of war. When Joe Hammerschmitt gets a shoulder wound in the Virginia trenches:
... pain warred with exultation on his long, thin face. Exultation won. 'Got me a hometowner, looks like,' he said happily. Half the men up there with him made sympathetic noises; the other half looked frankly jealous. Hammerschmitt was going to be out of the firing line for weeks, maybe months, to come, and they still risked not just death but horrible mutilation every day.
Some find Turtledove's cast too large, the story's action too slow. Others complain that Walk in Hell is too similar to his Worldwar series. Alternate history buffs, however, will marvel at his mastery of detail, enjoy following his logic as he pursues military and social developments onward in time, and find it hard to wait for the next in the series. --Nona Vero
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