The Last Painting of Sara de Vos: A Novel

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9780374106683: The Last Painting of Sara de Vos: A Novel

"Written in prose so clear that we absorb its images as if by mind meld, "The Last Painting" is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night ― first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense." ―Boston Globe

  • A New York Times Book Review Editors' Choice
  • A New York Times Bestseller
A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH.
Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it.
New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict.
Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.

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Review:

An Amazon Best Book of April 2016: Across three continents and four hundred years, Dominic Smith has spun a stunning tale of forgeries and deaths, deception and love to reveal the lasting legacy of a fateful brush stroke. Akin to the page-turning greats like Girl with a Pearl Earring and The Goldfinch, The Last Painting of Sara de Vos is held together by the gravitas of a single painting to tell the story of two women—their mistakes and love affairs, their devotion to art and their struggles to thrive in a male dominated profession. When Ellie Shipley, a young art student, agrees to copy the seventeenth century painting, “At the Edge of a Wood,” her future becomes irrevocably entangled with Sara de Vos, the artist whose work she forged. Weaving together the past and present lives of Sara and Ellie and their two paintings, Smith brilliantly transports readers from 1950s New York - the mahogany walls of Upper West side apartments and the grit of Brooklyn, to the moody Dutch countryside of the 1600s to Sydney Australia’s sun-soaked harbor in 2000. A vivid, enthralling novel that is as timeless and luminous as the painting itself. --Al Woodworth

About the Author:

Dominic Smith grew up in Australia and now lives in Austin, Texas. He's the author of three other novels: Bright and Distant Shores, The Beautiful Miscellaneous, and The Mercury Visions of Louis Daguerre. His short fiction has been nominated for a Pushcart Prize and has appeared in The Atlantic, Texas Monthly, and the Chicago Tribune, among other publications. He is the recipient of a new works grant from the Literature Board of the Australia Council for the Arts, a Dobie Paisano Fellowship, and a Michener Fellowship. He teaches writing in the MFA Program for Writers at Warren Wilson College.

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Book Description Hardcover. Book Condition: New. This is what we long for: the profound pleasure of being swept into vivid new worlds, worlds peopled by characters so intriguing and real that we can't shake them, even long after the reading's done. In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene,At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect,The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present. Bookseller Inventory # 5356658

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Book Description Sarah Crichton Books, 2016. Hardback. Book Condition: New. Language: English . Brand New Book. Written in prose so clear that we absorb its images as if by mind meld, The Last Painting is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it s fiction that keeps you up at night -- first because you re barreling through the book, then because you ve slowed your pace to a crawl, savoring the suspense. --Boston Globe A New York Times Bestseller A New York Times Book Review Editor s Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably. Bookseller Inventory # AAC9780374106683

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