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From "a fiercely intelligent writer" (The New York Times), a wry, poignant story of the difficult love between a mother and a son In the winter of 2000, shortly after his mother’s death from cancer and malnourishment, Donald Antrim, author of the absurdist, visionary masterworks Elect Mr. Robinson for a Better World, The Hundred Brothers, and The Verificationist, began writing about his family. In pieces that appeared in The New Yorker and were anthologized in Best American Essays, Antrim explored
his intense and complicated relationships with his mother, Louanne, an artist and teacher who was, at her worst, a ferociously destabilized and destabilizing alcoholic; his gentle grandfather, who lived in the mountains of North Carolina and who always hoped to save his daughter from herself; and his father, who married Louanne twice.
The Afterlife is not a temporally linear coming-of-age memoir; instead, Antrim follows a logic of unconscious life, of dreams and memories, of fantasies and psychoses, the way in which the world of the alcoholic becomes a sleepless, atemporal world. In it, he comes to terms with—and fails to comes to terms with—the nature of addiction and the broken states of loneliness, shame, and loss that remain beyond his power to fully repair. This is a tender and even blackly hilarious portrait of a family—faulty, cracked, enraging. It is also the story of the way the author works, in part through writing this book, to become a man more fully alive to himself and to others, a man capable of a life in which he may never learn, or ever hope to know, the nature of his origins.
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DONALD ANTRIM is the author of Elect Mr. Robinson for a Better World, The Hundred Brothers, and The Verificationist. He is a regular contributor to The New Yorker, and has received fellowships from the National Endowment for the Arts, the John Simon Guggenheim Memorial Foundation, and the Dorothy and Lewis B. Cullman Center for Scholars and Writers at the New York Public Library. He lives in New York City.
Excerpted from The Afterlife by Donald Antrim. Copyright © 2006 by Donald Antrim. Published in June 2006 by Farrar, Straus and Giroux, LLC. All rights reserved.
My mother, Louanne Antrim, died on a fine Saturday morning in the month of August, in the year 2000. She was lying in new purple sheets on a hospital-style bed rolled up next to the green oxygen tanks set against a wall in what was more or less the living room of her oddly decorated, dark and claustrophobic house, down near the bottom of a drive that wound like a rut past a muddy construction site and backyards bordered with chain-link fence, coming to an end in the parking lot that served the cheerless duck pond at the center of the town in which she had lived the last five years of her life, Black Mountain, North Carolina. The occasion for my mother’s move to North Carolina from Florida had been the death of her father, Don Self, from a heart attack, in 1995. Don Self’s widow, my mother’s mother, Roxanne, was at that time beginning her fall into senility, and was, in any case, unequipped to manage the small estate that my grandfather had left in her name. What I mean to say is that my grandmother, who came of age in the Great Depression and who brought away from that era almost no concept of money beyond the idea that it is not good to give too much of it to one’s children, was unlikely to continue her husband’s tradition of making large monthly transfers into my mother’s bank account. Don Self had kept his daughter afloat for a long while—ever since she’d got sober, thirteen years before, and decided that she was an artist and a visionary, ahead of her time—and now, suddenly, it was incumbent on my mother to seize power of attorney over her mother and take control of the portfolio, a coup she might have accomplished from Miami but was better able to arrange through what in the espionage community is known as closework.
Four years later, Roxanne Self passed away. The funeral was held at the Black Mountain Presbyterian Church in September of 1999. A week after that, my mother—barely days after having got, as I heard her proclaim more than once, “free of that woman, now I’m going to go somewhere I want to go and live my life”—went into the hospital with a lung infection and learned that she, too, would shortly be dead.
She was sixty-five and had coughed and coughed for years and years. There had never been any talking to her about her smoking. The news that she had cancer came as no surprise. It had grown in her bronchi and was inoperable. Radiation was held out as a palliative—it might (and briefly did) shrink the tumor enough to allow air into the congested lung—but my mother was not considered a candidate for chemotherapy. She had, during the course of forty years of, as they say, hard living, progressively and inexorably deteriorated. The story of my mother’s lifelong deterioration is, in some respects, the story of her life. The story of my life is bound up in this story, the story of her deterioration. It is the story that is always central to the ways in which I perceive myself and others in the world. It is the story, or at any rate it is my role in the story, that allows me never to lose my mother.
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Book Description Farrar, Straus and Giroux, 2006. Hardcover. Condition: New. Seller Inventory # DADAX0374299617
Book Description Farrar, Straus and Giroux, 2006. Hardcover. Condition: New. Never used!. Seller Inventory # P110374299617
Book Description Farrar, Straus and Giroux. Hardcover. Condition: New. 0374299617 New Condition. Seller Inventory # NEW7.0114041