News of a Kidnapping - Hardcover

Gabriel Garcia Marquez; Grossman, Edith; Garcia, Marquez Gabriel

Hardcover

ISBN 10: 0375400516 ISBN 13: 9780375400513

Publisher: Alfred A. Knopf, 1997

Synopsis

This astonishing book by the Nobel laureate Gabriel García Márquez chronicles the 1990 kidnappings of ten Colombian men and women--all but one a journalist--by the Medellín drug boss Pablo Escobar. The carefully orchestrated abductions were Escobar's attempt to extort from the government its assurance that he, and other narcotics traffickers, would not be extradited to the United States if they were to surrender.

From the highest corridors of government to the domain of the ruthless drug cartels, we watch the unfolding of a bizarre drama replete with fascinating characters: César Gaviria, the nation's cool and secretive president; Diana Turbay, a famous television journalist and magazine editor; three indomitable women who are imprisoned for miserable months in a small room with a light perpetually on; an eighty-two-year-old priest with a mission to bring the regime and the cartel to the negotiating table; and Escobar himself, the legendary drug baron who changes his bodyguards daily and maintains a private zoo with giraffes and hippos from Africa.

All of this takes place in a country where presidential candidates and cabinet officers are routinely assassinated; where police go into the Medellín slums to murder boys they think may be working for Escobar; but where brave and honest citizens are trying desperately to make democracy survive.

An international best-seller, News of a Kidnapping combines journalistic tenacity with the breathtaking language and perception that distinguish the writings of Gabriel García Márquez. It draws us into a world that, like some phantasmagorical setting in a great García Márquez novel, we can scarcely believe exists--but that continually shocks us with its cold, hard reality.

About this title

About the Author

Gabriel García Márquez was born in Aracataca, Colombia, in 1928. He attended the University of Bogotá and later worked as a reporter for the Colombian newspaper El Espectador and as a foreign correspondent in Rome, Paris, Barcelona, Caracas, and New York. He is the author of many novels and collections of stories--including No One Writes to the Colonel and Other Stories, One Hundred Years of Solitude, The Autumn of the Patriarch, Innocent Eréndira and Other Stories, In Evil Hour, Leaf Storm and Other Stories, Chronicle of a Death Foretold, Love in the Time of Cholera, The General in His Labyrinth, Strange Pilgrims, and Of Love and Other Demons. García Márquez was awarded the Nobel Prize for Literature in 1982. He lives in Mexico City and Bogotá.

Edith Grossman is the award-winning translator of major works by many of Latin America's most important writers, including Gabriel García Márquez and Alvaro Mutis. Born in Philadelphia, she attended the University of Pennsylvania and the University of California at Berkeley before receiving her Ph.D. from New York University. Ms. Grossman is the author of The Antipoetry of Nicanor Parra and of many articles and book reviews. She lives in New York City.

Reviews

In the same straightforward tone with which he relates the fabulous events of his fiction, Colombia's premier novelist presents the chillingly extraordinary events surrounding the 1992 abduction of ten prominent people by the Medell¡n drug cartel. For anyone who has doubts about where the real war on drugs is taking place, this is a vivid testimony to what Garc¡a M rquez calls ``the biblical holocaust that has been consuming Colombia for more than twenty years.'' It is a tale featuring real-life heroes, almost comically absurd events, endless terror, and a satisfyingly dramatic ending. Controlling the events is a man we never meet until the very end--the all-powerful and cunningly elusive Pablo Escobar, the head of the Medell¡n cartel. Fearing extradition to the US and death at the hands of his competitors more than he fears the Colombian government, he takes the hostages (primarily journalists) as pawns as he negotiates his surrender to the security of a specially prepared Colombian prison. Among the extraordinary men negotiating for the hostages' freedom are Alberto Villamizar, a politician who was himself once an assassination target of Escobar's and whose wife, Maruja, and sister, Beatriz, are both hostages; and the elderly Father Garc¡a Herreros, known for his daily television homilies and celebrity-studded fundraisers. But at the core of the narrative are the daily terrors and tribulations of the hostages, scattered in groups of two and three in different hiding places under the constant watch of Escobar's young, nihilistic soldiers. Newspaper editor Pacho Santos is chained to his bed at night. Maruja, Beatriz, and the doomed Marina Montoya must share a tiny, dark, airless room with four guards, their trips to the bathroom strictly regulated, their only distraction the television, through which Maruja's daughter, with her own TV show, sends coded messages of support and hope. Garc¡a M rquez's consummate rendering of this hostage-taking looms as the symbol of an entire country held hostage to invisible yet violently ever-present drug lords. (First printing of 100,000) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

In 1990, 10 people were abducted in Colombia by the Extraditables, drug traffickers, in a desperate attempt to avoid extradition to the U.S. It was a loud nada that came in the wake of the U.S. sentence given one of their compatriots, Carlos Lehder--life plus 130 years. The abductions were but a part of Colombia's struggles with the drug cartels, which were responsible for the murder of 25 journalists between September 1983 and January 1991 as well as the assassination of four presidential candidates before the 1990 campaign. Garcia Marquez is concerned with the kidnapping, with relating a singular experience of Colombia that threatened its social and political framework. And he tracks the story like a detective, weaving in the voices of all the players, ferreting out the nuances in their relationships, and cunningly revealing a country torn asunder by the quest for drug traffickers, or rather the mother of all drug traffickers, Pablo Escobar. The kidnap victims were journalists or relatives of powerful politicians; Escobar's aim was to force the government into an agreement whereby the Extraditables would release their prisoners and surrender in exchange for imprisonment in Colombia, in an area of their choice. Garcia Marquez is dealing with reality, and at times his tone is that of the journalist reporting a newsworthy event; but his material involves intrigue, victims in hideaways, captors in hoods, incandescent meetings between negotiators from all sides, and the tyranny of fate. A complex situation but just the sort of human snakepit that Garcia Marquez finds a home in. Bonnie Smothers

Garcia Marquez, Latin America's Nobel prize-winning novelist, turns his hand for the first time to nonfiction to explain, through one individual's experience, the widespread kidnapping in Colombia. Although focusing on Maruja Pachon's six months in captivity and her prominent husband's efforts to obtain her release, the book is really about the 1990 abduction of ten individuals by drug traffickers hoping to prevent their extradition to the United States. As he does so memorably in his fiction, the author captures the political intricacies and strange, deep involvement of drug dealers in Colombian life, turning what as easily could have been an imagined story into a fascinating exploration of contemporary culture, politics, and drug lords. Highly recommended.?Roderic A. Camp, Latin American Ctr., Tulane Univ., New Orleans
Copyright 1997 Reed Business Information, Inc.

Excerpt. © Reprinted by permission. All rights reserved.

1


SHE LOOKED OVER her shoulder before getting into the car to be sure no one was following her. It was 7:05 in the evening in Bogota. It had been dark for an hour, the Parque Nacional was not well lit, and the silhouettes of leafless trees against a sad, overcast sky seemed ghostly, but nothing appeared to be threatening. Despite her position, Maruja sat behind the driver because she always thought it was the most comfortable seat. Beatriz climbed in through the other door and sat to her right. They were almost an hour behind in their daily schedule, and both women looked tired after a soporific afternoon of three executive meetings--Maruja in particular, who had given a party the night before and had slept for only three hours. She stretched out her tired legs, closed her eyes as she leaned her head against the back of the seat, and gave the usual order: "Please take us home."

As they did every day, they sometimes took one route, sometimes another, as much for reasons of security as because of traffic jams. The Renault 21 was new and comfortable, and the chauffeur drove with caution and skill. The best alternative that night was Avenida Circunvalar heading north. They had three green lights, and evening traffic was lighter than usual. Even on the worst days it took only half an hour to drive from the office to Maruja's house, at No. 84A-42 Transversal Tercera, and then the driver would take Beatriz to her house, some seven blocks away.

Maruja came from a family of well-known intellectuals that included several generations of reporters. She herself was an award-winning journalist. For the past two months she had been the director of FOCINE, the state-run enterprise for the promotion of the film industry. Beatriz, Maruja's sister-in-law and personal assistant, had been a physical therapist for many years but had decided on a change of pace for a while. Her major responsibility at FOCINE was attending to everything related to the press. Neither woman had any specific reason to be afraid, but since August, when the drug traffickers began an unpredictable series of abductions of journalists, Maruja had acquired the almost unconscious habit of looking over her shoulder.

Her suspicion was on target. Though the Parque Nacional had seemed deserted when she looked behind her before getting into the car, eight men were following her. One was at the wheel of a dark blue Mercedes 190 that had phony Bogota plates and was parked across the street. Another was in the driver's seat of a stolen yellow cab. Four of them were wearing jeans, sneakers, and leather jackets and strolling in the shadows of the park. The seventh, tall and well-dressed in a light-weight suit, carried a briefcase, which completed the picture of a young executive. From a small corner cafe half a block away, the eighth man, the one responsible for the operation, observed the first real performance of an action whose intensive, meticulous rehearsals had begun twenty-one days earlier.

The cab and the Mercedes followed Maruja's automobile, keeping a close distance just as they had been doing since the previous Monday to determine her usual routes. After about twenty minutes the three cars turned right onto Calle 82, less than two hundred meters from the unfaced brick building where Maruja lived with her husband and one of her children. They had just begun to drive up the steep slope of the street, when the yellow cab passed Maruja's car, hemmed it in along the left-hand curb, and forced the driver to slam on the brakes to avoid a collision. At almost the same time, the Mercedes stopped behind the Renault, making it impossible to back up.

Three men got out of the cab and with resolute strides approached Maruja's car. The tall, well-dressed one carried a strange weapon that looked to Maruja like a sawed-off shotgun with a barrel as long and thick as a telescope. It was, in fact, a 9mm Mini-Uzi equipped with a silencer and capable of firing either single shots or fifteen rounds per second. The other two were armed with submachine guns and pistols. What Maruja and Beatriz could not see were the three men getting out of the Mercedes that had pulled in behind them.

They acted with so much coordination and speed that Maruja and Beatriz could remember only isolated fragments of the scant two minutes of the assault. With professional skill, five men surrounded the car and at the same time dealt with its three occupants. The sixth watched the street, holding his submachine gun at the ready. Maruja's fears had been realized.

"Drive, Angel," she shouted to the driver. "Go up on the sidewalk, whatever, but drive."

Angel was paralyzed, though with the cab in front of him and the Mercedes behind, he had no room to get away in any case. Fearing the men would begin shooting, Maruja clutched at her handbag as if it were a life preserver, crouched down behind the driver's seat, and shouted to Beatriz: "Get down on the floor!"

"The hell with that," Beatriz whispered. "On the floor they'll kill us."

She was trembling but determined. Certain it was only a holdup, she pulled the two rings off her right hand and tossed them out the window, thinking: "Let them earn it." But she did not have time to take off the two on her left hand. Maruja, curled into a ball behind the seat, did not even remember that she was wearing a diamond and emerald ring and a pair of matching earrings.

Two men opened Maruja's door and another two opened Beatriz's. The fifth shot the driver in the head through the glass, and the silencer made it sound no louder than a sigh. Then he opened the door, pulled him out, and shot him three more times as he lay on the ground. It was another man's destiny: Angel Maria Roa had been Maruja's driver for only three days, and for the first time he was displaying his new dignity with the dark suit, starched shirt, and black tie worn by the chauffeurs who drove government ministers. His predecessor, who had retired the week before, had been FOCINE's regular driver for ten years.

Maruja did not learn of the assault on the chauffeur until much later. From her hiding place she heard only the sudden noise of breaking glass and then a peremptory shout just above her head: "You're the one we want, Senora. Get out!" An iron hand grasped her arm and dragged her out of the car. She resisted as much as she could, fell, scraped her leg, but the two men picked her up and carried her bodily to the car behind the Renault. They did not notice that Maruja was still clutching her handbag.

Beatriz, who had long, hard nails and good military training, confronted the boy who tried to pull her from the car. "Don't touch me!" she screamed. He gave a start, and Beatriz realized he was just as nervous as she, and capable of anything. She changed her tone.

"I'll get out by myself," she said. "Just tell me what to do."

The boy pointed to the cab.

"Into that car and down on the floor," he said. "Move!" The doors were open, the motor running, the driver motionless in his seat. Beatriz lay down in the back. Her kidnapper covered her with his jacket and sat down, resting his feet on her. Two more men got in: one next to the driver, the other in back. The driver waited for the simultaneous thud of both doors, then sped away, heading north on Avenida Circunvalar. That was when Beatriz realized she had left her bag on the seat of the Renault, but it was too late. More than fear and discomfort, what she found intolerable was the ammonia stink of the jacket.

They had put Maruja into the Mercedes, which had driven off a minute earlier, following a different route. They had her sit in the middle of the back seat, with a man on either side. The one on the left forced Maruja's head against his knees, in a position so uncomfortable she had difficulty breathing. The man beside the driver communicated with the other car by means of an antiquated two-way radio. Maruja's consternation was heightened because she could not tell which vehicle she was in--she had not seen the Mercedes stop behind her car--but she did know it was comfortable and new, and perhaps bulletproof, since the street noises sounded muted, like the whisper of rain. She could not breathe, her heart pounded, and she began to feel as if she were suffocating. The man next to the driver, who seemed to be in charge, became aware of her agitation and tried to reassure her.

"Take it easy," he said, over his shoulder. "We only want you to deliver a message. You'll be home in a couple of hours. But if you move there'll be trouble, so just take it easy."

The one who held her head on his knees also tried to reassure her. Maruja took a deep breath, exhaled very slowly through her mouth, and began to regain her composure. After a few blocks the situation changed because the car ran into a traffic jam on a steep incline. The man on the two-way radio started to shout impossible orders that the driver of the other car could not carry out. Several ambulances were caught in traffic somewhere along the highway, and the din of sirens and earsplitting horns was maddening even for someone with steady nerves. And for the moment, at least, that did not describe the kidnappers. The driver was so agitated as he tried to make his way through traffic that he hit a taxi. It was no more than a tap, but the cab driver shouted something that made them even more nervous. The man with the two-way radio ordered him to move no matter what, and the car drove over sidewalks and through empty lots.

When they were free of traffic, they were still going uphill. Maruja had the impression they were heading toward La Calera, a hill that tended to be very crowded at that hour. Then she remembered some cardamom seeds, a natural tranquilizer, in her jacket pocket, and asked her captors to let her chew a few. The man on her right helped her look for them, and this was when he noticed she was still holding her handbag. They took it away ...

Edition details

• Publisher: Alfred A. Knopf
• Publication date: 1997
• ISBN 10: 0375400516
• ISBN 13: 9780375400513
• Binding: Hardcover
• Language: English
• Number of pages: 291