The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger:
· Mort Sahl, of a new political cynicism
· Lenny Bruce, of the sexual, drug, and language revolution
· Dick Gregory, of racial unrest
· Bill Cosby and Godfrey Cambridge, of racial harmony
· Phyllis Diller, of housewifely complaint
· Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations
· Stan Freberg and Bob Newhart, of encroaching, pervasive pop media manipulation and, in the case of Bob Elliott & Ray Goulding, of the banalities of broadcasting
· Mel Brooks, of the Yiddishization of American comedy
· Sid Caesar, of a new awareness of the satirical possibilities of television
· Joan Rivers, of the obsessive craving for celebrity gossip and of a latent bitchy sensibility
· Tom Lehrer, of the inane, hypocritical, mawkishly sentimental nature of hallowed American folkways and, in the case of the Smothers Brothers, of overly revered folk songs and folklore
· Steve Allen, of the late-night talk show as a force in American comedy
· David Frye and Vaughn Meader, of the merger of showbiz and politics and, along with Will Jordan, of stretching the boundaries of mimicry
· Shelley Berman, of a generation of obsessively self-confessional humor
· Jonathan Winters and Jean Shepherd, of the daring new free-form improvisational comedy and of a sardonically updated view of Midwestern archetypes
· Ernie Kovacs, of surreal visual effects and the unbounded vistas of video
Taken together, they made up the faculty of a new school of vigorous, socially aware satire, a vibrant group of voices that reigned from approximately 1953 to 1965.
Nachman shines a flashlight into the corners of these comedians’ chaotic and often troubled lives, illuminating their genius as well as their demons, damaged souls, and desperate drive. His exhaustive research and intimate interviews reveal characters that are intriguing and all too human, full of rich stories, confessions, regrets, and traumas. Seriously Funny is at once a dazzling cultural history and a joyous celebration of an extraordinary era in American comedy.
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It's been said that analyzing comedy is a bit like dissecting a frog: you arrive at a greater understanding of the frog but the frog does tend to die in the process. The purpose of Gerald Nachman's Seriously Funny: The Rebel Comedians of the 1950s and 1960s is not to provide a laugh riot of his subjects' best punch lines, but rather to explore their lives, careers, and influence. Nachman's scope is impressive. He provides detailed biographies not only of household names Sid Caesar, Lenny Bruce, Bob Newhart, and Woody Allen but also comics like Jean Shepherd, Shelley Berman, and Will Jordan whose legacies have far outpaced their name recognition. Nachman has done his research; the book profiles 26 comedians, each in exhaustive detail, and no fan of this era will feel cheated at the end of its 768 pages. There are plenty of entertaining show biz anecdotes (Sid Caesar throwing a lit cigar at young writer Mel Brooks, Bill Cosby punching out Tommy Smothers) along with tales of the darker sides of Mort Sahl, Jonathan Winters, and others whose private lives were far less amusing than their stage acts. But what makes Seriously Funny so compelling, and its dopey title at least partially forgivable, is the author's meticulous attention to each comedian's imprint on the landscape of comedy itself. And while the jokes cited often seem a bit stale and obvious, it bears noting that they were revolutionary when these comedians first made them. --John MoeAbout the Author:
Gerald Nachman has for more than forty years covered theater, movies, cabaret, and television for newspapers and magazines. His previous books include Raised on Radio; two collections of humor pieces, Out on a Whim and The Fragile Bachelor; and a humorous book on marriage, Playing House. He lives in San Francisco.
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Book Description Pantheon, 2003. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110375410309
Book Description Pantheon. Hardcover. Book Condition: New. 0375410309 New Condition. Bookseller Inventory # NEW7.0115811
Book Description Pantheon, 2003. Hardcover. Book Condition: New. Bookseller Inventory # mon0000174068
Book Description Pantheon, 2003. Hardcover. Book Condition: New. 1. Bookseller Inventory # DADAX0375410309
Book Description Pantheon Books, N.Y. U.S.A., 2003. Hardcover. Book Condition: New. Dust Jacket Condition: New. 1st Edition. New / Unread signed and dated "(6.02.03)"by author on half title PAGE also signed by MORT SAHL. Author NACHMAN has a 48 page section in which he discusses MORT SAHL in the: "The 1950s" Captioned: "A voice in the wilderness: MORT SAHL". Very slight slant to spine. Dust jacket covered by a clear mylar archival Brodart D.J cover. Our books are shipped protected by bubble wrap with delivery confirmation. Signed by Author(s). Bookseller Inventory # 000371