Mary Karr Cherry

ISBN 13: 9780375416460

Cherry

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9780375416460: Cherry

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Mary Karr told the prize-winning tale of her hardscrabble Texas childhood with enough literary verve to spark a renaissance in memoir.  The Liar's Club rode the top of The New York Times bestseller list for more than a year, and publications ranging from The New Yorker to People picked it as one of the best books of the year.  But it left people wondering: How'd that scrappy kid make it outta there? Cherry dares to tell that story.  Karr picks up the trail and dashes off into her teen years with customary sass, only to run up against the paralyzing self-doubt of a girl in bloom.

In this long-awaited sequel, we see Karr ultimately trying to run from the thrills and terrors of her sexual awakwening by butting against authority in all its forms.  She lands all too often in the principal's office and--in one instance--a jail cell.  Looking for a lover or heart's companion  who'll make her feel whole, she hooks up with an outrageous band of surfers and heads, wannabe yogis and bona fide geniuses.

Karr's edgy, brilliant prose careens between hilarity and tragedy, and Cherry takes readers to a place never truly explored--deep inside a girl's stormy, ardent adolescence.  Parts will leave you gasping with laughter.  But its soaring close proves that from even the smokiest beginnings a solid self can form, one capable of facing down all manner of monsters.

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Review:

As a girl idling her way through long, toxically boring summer afternoons in Leechfield, Texas, Mary Karr dreamed up an unusual career for herself, "to write one-half poetry and one-half autobiography." She has since done both, and even when she's recounting a dirty joke, she can't help but employ a poet's precise and musical vision. Her first memoir, The Liar's Club, was as searing a chronicle of family life as can be imagined--tough, funny, and crackling with sorrow and wit. Against all odds, its sequel doesn't disappoint. Cherry finds the teenage Mary still marooned in a family whose behavior ranges from charmingly eccentric to dangerously crazy. (This, for instance, is the Karr version of a note from home: "Lecia Karr's leprosy kicked in, and I had to wrap her limbs in balm and hyssop. Please excuse her.") But here the focus has shifted to Mary herself, furiously engaged in pissing off authority at every turn: flouting the dress code, dropping acid, running from the cops, falling in love.

First love, you may say, heart sinking in chest: what more can possibly be said about such a subject? Actually, a great deal. To read Cherry is to realize how rare it is to find a teenage girl portrayed on her own terms. As a chronicle of female adolescence with all its longings, fantasies, cruelties, and fears, Karr's memoir goes darker and deeper than any book in which the protagonist doesn't end up dead. She turns a savage eye on her own hypocrisies and failings, and we like her all the more for them. We even end up fond of Leechfield, easily the toughest, smelliest, nastiest little burg ever to appear between the covers of a book--"a town too ugly not to love," her father called it in The Liar's Club. Growing up in such a place is necessarily about getting the hell out, but it's also about inventing a new identity with which to make your escape. That's the blessing Karr's wise friend Meredith bestows after a particularly harrowing (and harrowingly funny) acid trip: "I see big adventures for Mary. Big adventures, long roads, great oceans: same self." Cherry is the story of how Karr begins to acquire that self, however fumblingly--a big adventure for Mary, as it is for all of us, and one we never finish as long as we live. Perhaps that's the book's greatest pleasure of all: it hints there's more to come. --Mary Park

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7 1.5-hour cassettes

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Mary Karr
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