Items related to Billiards at Half-Past Nine
Boll's well-known, vehement opposition to fascism and war informs this moving story of Robert Faehmel. After being drawn into the Second World War to command retreating German forces despite his anti-Nazi feelings, Faehmel struggles to re-establish a normal life at war's end. He adheres to a rigorous schedule, including a daily game of billiards. When his routine is breached by an old friend, now a power in German reconstruction, Faehmel is forced to confront both public and private memories.
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About the Author:
In 1972, Heinrich Böll became the first German to win the Nobel Prize for literature since Thomas Mann in 1929. Born in Cologne, in 1917, Böll was reared in a liberal Catholic, pacifist family. Drafted into the Wehrmacht, he served on the Russian and French fronts and was wounded four times before he found himself in an American prison camp. After the war he enrolled at the University of Cologne, but dropped out to write about his shattering experiences as a soldier. His first novel, The Train Was on Time, was published in 1949, and he went on to become one of the most prolific and important of post-war German writers. His best-known novels include Billiards at Half-Past Nine (1959), The Clown (1963), Group Portrait with Lady (1971), and The Safety Net (1979). In 1981 he published a memoir, What’s to Become of the Boy? or: Something to Do with Books. Böll served for several years as the president of International P.E.N. and was a leading defender of the intellectual freedom of writers throughout the world. He died in June 1985.
Jessa Crispin is the editor and founder of Bookslut.com. She is also a reviewer for NPR’s “Books We Like,” and her writing has appeared in The Washington Post, The Chicago Sun-Times, The Guardian, and The Toronto Globe and Mail, among other publications. She lives in Berlin.
Review:
Jessa Crispin is the editor and founder of Bookslut.com. She is also a reviewer for NPR’s “Books We Like,” and her writing has appeared in The Washington Post, The Chicago Sun-Times, The Guardian, and The Toronto Globe and Mail, among other publications. She lives in Berlin.
THE ESSENTIAL HEINRICH BÖLL
"Daringly and hypnotically written... an extended soliloquy on memory, recrimination and tenuous hope."
—Sam Sacks, The Wall Street Journal
"Böll is an expert marksman: the arrows are sharp, the feathers smooth, the targets numerous."
—The New York Times
"His work reaches the highest level of creative originality and stylistic perfection."
—The Daily Telegraph
"The renewal of German literature, to which Heinrich Böll's achievements witness, and of which they are a significant part, is not an experiment with form. Instead it is a rebirth out of annihilation, a resurrection, a culture which, ravaged by icy nights and condemned to extinction, sends up new shoots, blossoms, and matures to the joy and benefit of us all."
—The Nobel Prize Committee
“The claim that Böll is the true successor to Thomas Mann can be defended by his novel Billiards at Half-Past Nine.”
—The Scotsman
“A work in the best tradition of the German novel, taking up the thread broken by the Third Reich, the thread spun by Remarque’s All Quiet on the Western Front and Fallada’s Little Man, What Now?”
—Christian Science Monitor
“A man of deep feeling and intelligence, speaking in a strongly contemporary voice, [Böll] recorded in his early stories the way it felt to come home to a destroyed country. The tone was neither angry, ironic nor surreal. On the contrary, these stories gave us the slow-moving thoughtfulness of a narrator in pain, walking about on a lunar landscape, knowing he must make sense of things more quickly than he is able to do.”
—Vivian Gornick, The New York Times
"Daringly and hypnotically written... an extended soliloquy on memory, recrimination and tenuous hope."
—Sam Sacks, The Wall Street Journal
"Böll is an expert marksman: the arrows are sharp, the feathers smooth, the targets numerous."
—The New York Times
"His work reaches the highest level of creative originality and stylistic perfection."
—The Daily Telegraph
"The renewal of German literature, to which Heinrich Böll's achievements witness, and of which they are a significant part, is not an experiment with form. Instead it is a rebirth out of annihilation, a resurrection, a culture which, ravaged by icy nights and condemned to extinction, sends up new shoots, blossoms, and matures to the joy and benefit of us all."
—The Nobel Prize Committee
“The claim that Böll is the true successor to Thomas Mann can be defended by his novel Billiards at Half-Past Nine.”
—The Scotsman
“A work in the best tradition of the German novel, taking up the thread broken by the Third Reich, the thread spun by Remarque’s All Quiet on the Western Front and Fallada’s Little Man, What Now?”
—Christian Science Monitor
“A man of deep feeling and intelligence, speaking in a strongly contemporary voice, [Böll] recorded in his early stories the way it felt to come home to a destroyed country. The tone was neither angry, ironic nor surreal. On the contrary, these stories gave us the slow-moving thoughtfulness of a narrator in pain, walking about on a lunar landscape, knowing he must make sense of things more quickly than he is able to do.”
—Vivian Gornick, The New York Times
"About this title" may belong to another edition of this title.
- PublisherAvon Books
- Publication date1983
- ISBN 10 0380002809
- ISBN 13 9780380002801
- BindingPaperback
- Number of pages256
- Rating
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