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You either love it or hate it. But one thing's for sure: rumors of its death are premature. This fast paced yet in-depth look at one of the most outrageous eras in musical -- and cultural -- history discusses the fashion and the freaks, the music-makers and the celebrators, to uncover why disco was so revered and reviled. In its early days, disco was dismissed by the public as producers' music made by studio musicians. But this amalgam of African-American rhythm and blues, soul, and funk soon caught fire, bringing together gay and straight, black and white, young and old in a way no other popular music has before or since -- a phenomenon that is still reverberating through the culture.
As it takes you from the history of dance halls to the rise of impossible-to-get-into clubs; from the reigning queens (Gloria Gaynor, Grace Jones, and Donna Summer among them) to the wanna-bes (including Dolly Parton, Frank Sinatra, and even Ethel Merman!); from the political mayhem of the Vietnam era to the party-all-night eighties, Hot Stuff will make you want to dust off those platform shoes, dig out your mirrored ball, and shake your booty all night long.
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John-Manuel Andriote is a graduate of the Northwestern University journalism program. His writing has appeared in the Washington Post, The Advocate, and other periodicals. He is the award-winning author of Victory Deferred and The Art of Fine Cigars and lives in Washington, D.C.From Publishers Weekly:
While disco remains one of the most maligned of all musical genres (according to Andriote, as much for its roots in African-American, Latino and gay dance clubs as for its hedonistic packaging), it is a music that refuses to die (instead it is renamed or deeply influences HiNRG, techno, rave, hip-hop, jungle or just plain dance). While it lives on (either in full albums like Cher's Believe or Madonna's Ray of Light or sampled in songs by the Notorious B.I.G. and Robbie Williams), its marginalization continues with Andriote's slight history. While not as exuberantly detailed as Alan Jones and Jussi Kantonen's delightfully exhaustive Saturday Night Forever: The Story of Disco (A Cappella, 1999), which focused on the artists and their songs, this volume instead focuses on the social history and culture of the movement that flourished between 1974 and 1979. Kitschy, glitzy and underground, disco thrived with its core minority fans and avoided popularization (the actual long-playing 12-inch music mixes were available to club D.J.s only). Middle America didn't embrace the phenomenon until the release of 1977's Saturday Night Fever, when John Travolta and the Bee Gees made it palatable for the masses and, incredibly, ushered in disco albums by Ethel Merman, Frank Sinatra and Mickey Mouse. Andriote's in fine form covering the "disco sucks" backlash, detailing how it resulted from both an oversaturation of inferior product and homophobia. The appendix of artists and key songs is hit and miss, sometimes up-to-date (Donna Summer), more often not (Loleatta Holloway). Even with excellent writing from Andriote (Victory Deferred), fans of the music will find little new here, especially if they've already bought Saturday Night Forever. Photos not seen by PW.
Copyright 2001 Cahners Business Information, Inc.
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Book Description Harper Paperbacks, 2001. Paperback. Condition: New. Never used!. Seller Inventory # P110380809079
Book Description Harper Paperbacks, 2001. Condition: New. book. Seller Inventory # M0380809079
Book Description Condition: New. New. Seller Inventory # STRM-0380809079