Acclaimed New Yorker writer and author of the breakout debut bestseller The Lost City of Z, David Grann offers a collection of spellbinding narrative journalism.
Whether he’s reporting on the infiltration of the murderous Aryan Brotherhood into the U.S. prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone- tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.
Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world’s foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent; and sandhogs racing to complete the brutally dangerous job of building New York City’s water tunnels before the old system collapses. Throughout, Grann’s hypnotic accounts display the power—and often the willful perversity—of the human spirit.
Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.
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Amazon Exclusive: A Q&A with David Grann
We had the opportunity to chat with David Grann about his bestselling debut, The Lost City of Z, and his second book of nonfiction, The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession. Read on to find out what David thinks about the "infinitely strange" business of writing nonfiction.
Amazon.com: Have you stayed in touch with any of the individuals you wrote about in The Devil and Sherlock Holmes?
David Grann: In the course of researching the book, I got to know an array of astonishing characters. They include a marine biologist named Steve O’Shea who was trying to be the first person to ever to capture a giant squid and grow it in captivity; sandhogs digging an intricate maze of tunnels hundreds of feet beneath the streets of New York City; a Polish detective investigating whether an author planted clues to an actual murder in his postmodern novel; a fireman who suffered amnesia on 9/11 and is trying to piece together what happened to him on that tragic day; a baseball icon; cold killers; an imposter; and a school teacher, Elizabeth Gilbert, who attempted to prove that a man about to be executed for a deadly fire was really innocent. One of the strange things about reporting is that you spend a lot of time with someone and then resume your separate lives. But I occasionally hear from several of the characters in the stories. Gilbert, who had been paralyzed from the neck down in a car accident, recently called to tell me that after more than five years of rehabilitation she had begun to take steps with the aid of a walker. "I made it eighty yards," she said. "Almost a football field."
Amazon.com: Given the opportunity, are there any stories you would like to revisit in the future?
David Grann: Most of the pieces hopefully capture the essence of a story and don’t need elaboration. But as I learned from the strange and unexpected twists in these true tales, there is always a possibility that something new and startling may occur that would draw me back in.
Amazon.com: As a journalist, how does the experience of writing essays differ from writing a longer work like The Lost City of Z?
David Grann: It’s very different. With a book, you can follow many different characters and paths. With essays, you have to keep the lens tightly focused. I really believe that some stories need to be told in longer narrative form, and others, like the dozen in The Devil and Sherlock Holmes, work ideally as shorter pieces.
Amazon.com: Much of your writing revolves around individuals with unusually strong obsessions. The people you write about have focused their lives on everything from searching for giant squid to disbanding the most powerful gang in the U.S. prison system. Are there any characteristics that these individuals share?
David Grann: Yes, as you mention, many of the characters are compelled by an obsession, even if the object of their obsession is very different. The other thing that many of them share is a curiosity and a hunger to explain, like Sherlock Holmes, the world around them--whether it be the unexplored sea, an underground empire, a secret prison gang, or a mysterious murder.
Amazon.com: Many of these stories are rooted in ambiguous circumstances. Did your initial impressions change during the course of researching these people and events?
David Grann: Definitely. When I began investigating these stories, I knew almost nothing about them. Many originated from little more than a tantalizing hint: a tip from a friend, a reference buried in a news brief. And so I hope that I take the reader on the same kind of journey that I experienced--a journey that often leads to conclusions that I never imagined.
Amazon.com: Many of the stories in The Devil and Sherlock Holmes have a "stranger-than-fiction" quality to them. Have you ever considered trying your hand at fiction, or is the real world strange enough for you?
David Grann: When I first started out as a writer, I had aspirations of becoming a novelist, but I could never invent compelling enough characters or plots. What’s wonderful about nonfiction is I get to meet these incredible characters--stick up men, sandhogs, prison escape artists, imposters, squid hunters, mobsters, FBI agents--and they allow me to spend time with them and document their private thoughts. If these dozen stories in the collection taught me anything, it is that life, to borrow a phrase from Sherlock Holmes, "is infinitely stranger than anything which the mind of man could invent."(Photo © Matt Richman) About the Author:
DAVID GRANN is a staff writer at The New Yorker and author of the bestseller The Lost City of Z, which has been translated into more than twenty languages. His stories have appeared in many best-American-writing anthologies, and he has written for the New York Times Magazine, the Atlantic, the Washington Post, the Wall Street Journal, and the New Republic.
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