A captivating, atmospheric return to historical fiction that is every bit as convincing and engrossing as Martin's landmark Mary Reilly.
In 1872 the American merchant vessel Mary Celeste was discovered adrift off the coast of Spain. Her cargo was intact and there was no sign of struggle, but the crew was gone. They were never found.
This maritime mystery lies at the center of an intricate narrative branching through the highest levels of late-nineteenth-century literary society. While on a voyage to Africa, a rather hard-up and unproven young writer named Arthur Conan Doyle hears of the Mary Celeste and decides to write an outlandish short story about what took place. This story causes quite a sensation back in the United States, particularly between sought-after Philadelphia spiritualist medium Violet Petra and a rational-minded journalist named Phoebe Grant, who is seeking to expose Petra as a fraud. Then there is the family of the Mary Celeste's captain, a family linked to the sea for generations and marked repeatedly by tragedy. Each member of this ensemble cast holds a critical piece to the puzzle of the Mary Celeste.
These three elements—a ship found sailing without a crew, a famous writer on the verge of enormous success, and the rise of an unorthodox and heretical religious fervor—converge in unexpected ways, in diaries, in letters, in safe harbors and rough seas. In a haunted, death-obsessed age, a ghost ship appearing in the mist is by turns a provocative mystery, an inspiration to creativity, and a tragic story of the disappearance of a family and of a bond between husband and wife that, for one moment, transcends the impenetrable barrier of death.
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VALERIE MARTIN is the author of nine novels, including Trespass, Italian Fever, The Great Divorce, Mary Reilly, and the 2003 Orange Prize-winning Property and of three collections of short fiction.
Martin’s latest novel delves into the lingering questions surrounding the Mary Celeste, an American brig found drifting, intact but abandoned, in the open Atlantic in 1872. Eschewing a traditional linear narrative for an unconventional yet far more effective structure, Martin creates what seem at first to be loosely connected vignettes. Arthur Conan Doyle, who wrote a sensationalist tale about the ship’s fate in his youth, appears at several different points in his life, and a journalist crosses paths several times with an enigmatic medium she hopes to debunk. It progressively becomes clear that their stories link in multiple ways with the Briggs family of Marion, Massachusetts, many of whom died at sea. Characterization is first-rate, as is the historical sensibility. Subtle undercurrents of impending tragedy create a disquieting effect throughout, a fitting atmosphere for a work about a society preoccupied with making contact with deceased loved ones. The scenes of maritime disasters are realistically terrifying. A haunting, if sometimes slowly paced, speculative look at a long-unsolved maritime mystery and the unsettling relationships between writers and their subjects. --Sarah Johnson
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