Lord of the Nutcracker Men - Hardcover

Lawrence, Iain

Hardcover

ISBN 10: 0385729243 ISBN 13: 9780385729246

Publisher: Delacorte Books for Young Readers, 2001

Synopsis

Ten-year-old Johnny eagerly plays at war with the army of nutcracker soldiers his toymaker father whittles for him. He demolishes imaginary foes. But in 1914 Germany looms as the real enemy of Europe, and all too soon Johnny’s father is swept up in the war to end all wars. He proudly enlists with his British countrymen to fight at the front in France. The war, though, is nothing like what any soldier or person at home expected.

The letters that arrive from Johnny’s dad reveal the ugly realities of combat — and the soldiers he carves and encloses begin to bear its scars. Still, Johnny adds these soldiers to his armies of Huns, Tommies, and Frenchmen, engaging them in furious fights. But when these games seem to foretell his dad’s real battles, Johnny thinks he possesses godlike powers over his wooden men. He fears he controls his father’s fate, the lives of all the soldiers in no-man’s land, and the outcome of the war itself.

About this title

About the Author

Iain Lawrence is a journalist, travel writer, and avid sailor.

From the Back Cover

“Big themes are hauntingly conveyed through gripping personal story and eerie symbolism.”–Kirkus Reviews, Starred

“Beautifully integrated supporting characters reinforce Lawrence’s theme of the horror of war.”–The Horn Book Magazine



From the Paperback edition.

Reviews

Gr 5-8-In 1914, 10-year-old Johnny enjoys playing with the nutcracker soldiers his toymaker father has made for him. World War I seems distant until people he knows are sent away, and then his father joins the British army. When the bombing starts in London, the boy is sent to live with his aunt in the country. He dislikes the small town, misses his parents and friends, and is uncomfortable living with a relative whom he does not know well. He escapes his troubles by playing in the garden with the toy soldiers, adding the new one his father sends with each letter. Initially Johnny's father is upbeat and glorifies army life, but after he is sent to the front, he writes of the endless rain and mud, the rats, the shooting, and the tense waiting. Each soldier he creates becomes more and more full of the pain of war until one arrives that is so ghastly that Johnny's aunt throws it in the fire. As the boy becomes lost in his play world, he becomes convinced that the battles he puts his "men" through affect the real battles on the front. Using vivid language, Lawrence writes poignantly of war and the devastation that England and its people suffered. Because of the first-person voice, readers travel the heights and depths with Johnny's emotions and feel present in the story. Readers who enjoyed Michelle Magorian's Good Night, Mr. Tom (HarperCollins, 1982), set during World War II, will find a kindred story here.

Cheri Estes, Detroit Country Day Middle School, Beverly Hills, MI

Copyright 2001 Cahners Business Information, Inc.

War idealistic, brutal, awe inspiring, numbing, jingoistic and ultimately heartbreaking is the central theme of this thoughtful and thought-provoking novel. The Great War has begun, and Johnny watches his kindly toymaker father turn against the German shopkeepers and neighbors in the family's London community. Soon after his father joins the army and travels to France to fight, Johnny is sent to live with his curmudgeonly Auntie Ivy in a small town on the south coast of England. Most chapters begin with a letter from Johnny's father, and from these the boy (and readers) derive an increasingly complex and horrifying vision of life in the trenches. Accompanying each letter, and providing vivid illustration of the events described in the missive, is a wooden soldier carved by Johnny's father, which the boy adds to the ranks of his toy army. As the weeks go by, Johnny entertains himself by staging vast battles with this army, until in a series of scenes that unflinchingly convey a child's conflicting feelings of omnipotence and vulnerability he grows to fear that his play is somehow magically affecting his father's life at the front and, indeed, the entire war. His father's account of the Christmas Truce of 1914 and Johnny's own role in reuniting a grieving family with a shell-shocked soldier are among the events that bring the novel to its solemn, yet quietly hopeful, close. Both its timing and its message are eerily resonant. Ages 10-up.

Copyright 2001 Cahners Business Information, Inc.

Gr. 5-9. War is an exciting game to 10-year-old Johnny in 1914, though he hates that his beloved dad is far away on the Western Front in France and that he has to leave London to live with his aunt in a country village. Dad is a toy maker who has carved Johnny a set of wooden soldiers, and with every letter from the trenches, Dad sends a small wooden figure to add to the glorious battles Johnny plays in the backyard. The letters quickly lose their romance when Dad confronts the slaughter of "going over the top." At first the book moves slowly; Johnny's war games go on too long. And in case readers don't get the heavy metaphor, there's a fatherly teacher to spell things out and compare the war to The Iliad, with bickering gods and rulers who "toy with the people." But there's realism in the grief of the village people and also in Dad's poignant letters, which move from excitement to boredom to horror and cover-up, and then on to the miracle of the Christmas truce, when the enemies meet in no-man's-land and exchange food and gifts, only to be sent back by the generals with orders to kill each other. This will be a fine introduction to World War I, both for personal interest and for curriculum use, especially when read with the books listed in the Read-alike column on the opposite page. Hazel Rochman
Copyright © American Library Association. All rights reserved

Excerpt. © Reprinted by permission. All rights reserved.

Chapter 1

My dad was a toy maker, the finest in London. He made miniature castles and marionettes, trams and trains and carriages. He carved a hobbyhorse that Princess Mary rode through the ballroom at Buckingham Palace. But the most wonderful thing that Dad ever made was an army of nutcracker men.

He gave them to me on my ninth birthday, thirty soldiers carved from wood, dressed in helmets and tall black boots. They carried rifles tipped with silver bayonets. They had enormous mouths full of grinning teeth that sparkled in the sun.

They were so beautiful that every boy who saw them asked for a set for himself. But Dad never made others. "They're one of a kind," he said. "Those are very special soldiers, those."

I had no other army to fight them against, so I marched my nutcracker men across the kitchen floor, flattening buildings that I made out of cards. I pretended that no other army even dared to fight against those fierce-looking soldiers.

When I was ten, the war started in Europe, the war they said would end all wars. The Kaiser's army stormed into Luxembourg, and all of Europe fled before it.

But for me, the war really began on the day the butcher vanished, when I found his door mysteriously locked. Inside, the huge carcasses hung on their hooks, and the rows of pink meat lay on the counters. Yet there was no sign of Fatty Dienst, who had greeted me there just the day before--as he always had--with a great smile and a laugh, with a nub of spicy sausage hidden in his apron pocket. He'd pulled it out in his hand that had no thumb, and said--as always--"Ach, look what I've found, Johnny." His accent turned my name into Chonny. "That's goot Cherman sausage there, Chonny," he'd told me.

That night I asked my dad, "What happened to Fatty Dienst?"

"That butcher?" said Dad. "I suppose he's gone home to be with all the other butchers. To join that army of butchers."

I didn't understand; they had always been friends. Many times I had seen Dad laughing at Fatty's jokes, or the German winking as he slipped an extra slice of ham in with the rest.

"I never trusted that man," said Dad.

Then the others vanished: Mr. Hoffman the barber, Henrik the shoemaker, Willy Kempf the doorman. They slipped away one by one, and soon only Siegfried was left from all the Germans I'd ever known, poor little Siegfried who worked as a waiter. I went to school with one of his sons.

But it wasn't much longer until I saw him leaving too, with his wife and their children, each with a suitcase made out of cardboard. A crowd of boys and barking men drove them along like so many sheep. Some of my pals ran in circles around the poor man, who walked so slowly and sadly that I felt like crying.

Dad was watching beside me, in the window of our flat. He looked furious. "Do you know what that fellow was doing?"

"Serving people?" I asked.

"Telling them he was Swiss," said Dad, his hands clenched. "But I demanded to see his passport, and showed up the rotter for what he was."

Off they went, with their little cardboard suitcases, down toward the railway station on Victoria Street. Dad flung open the window and shouted after them, "Go along home!" It made no sense; their home was in London, just around the corner. Only the week before, I had seen Dad get up from our supper at Paddington Station and press a tanner into little Siegfried's hand. But now he seemed full of hate, and I thought I would never understand how a man could be his friend one day, and his enemy the next.

Then the Kaiser's army stormed into Belgium. I saw them at the picture show, hundreds of soldiers looking just like my nutcracker men, all in black boots and silver-tipped helmets. They flickered across the screen, their arms held stiff at their sides but their legs swinging high. They marched on and on as though nothing would stop them. And I started asking my dad, "Can you make me some Frenchmen? Can you make me some Tommies?"

There was nothing Dad wouldn't do for me. He whittled away in his shop, and came home with a tiny Frenchman, his blue coat buttoned back into flaps, his legs marching. I named him Pierre. The next day it was a Tommy that Dad brought home, with the tiniest Union Jack I'd ever seen painted on his sleeve. I put him into the battle on the fifth day of August, 1914, the night that Britain went to war.

All of London seemed to celebrate. Men joined up by the hundreds, by the thousands, marching away in tremendous, cheering parades. They passed my father's toy shop, stepping along, singing along, as the women shouted and the children dashed in amongst them. Through a blizzard of rose petals, they passed in such numbers, with such a stamping of feet, that the smaller toys shook on my father's shelves. But Dad didn't go with them.

"Aren't you signing up?" I asked him. "Aren't you going to the war?"

"Johnny," he said, "I'm afraid the King doesn't need me just now."

We were watching them pass, the new soldiers. They were clean and smart, like freshly made toys.

"Don't you want to go?" I asked.

"But what about you? What about your mother?" He shook his head. "No, Johnny, I think I'm better off here. Some of us have duties at home."

"Like what?" I asked. The soldiers were still passing by.

"Well," he said, "I have to build up your little army, don't I? Someone has to stop your nutcracker men."

Already, they had captured nearly all of the kitchen. They were spilling through the parlor door, where my lone Pierre was putting up a brave fight. Then my mum stood by mistake on my army, and one of the nutcracker men got his hand broken off.

"Look what you did!" I cried.

"Oh, Johnny, I'm sorry," she said. "But do they have to be underfoot like this? Can't you play somewhere else?"

So I rushed them forward, into the parlor. And leading the charge was the man with no hand. I pretended it was Fatty Dienst. "Go forward!" he shouted as the Frenchman retreated again. "Go forward for Chermany!"

Down the street, in the little butcher shop, the meat turned gray and then brown. A horrid smell came out through the door. Someone smashed the windows; then a bobby came round and boarded them up. And the Germans kept marching, west across Flanders, rolling armies ahead of them with no more bother than my nutcracker men.

Ambulances carrying soldiers from the front went rattling past my dad's shop. People turned out to cheer them as loudly as they'd cheered the soldiers going the other way. Big advertisements appeared everywhere, enormous posters that said, "Your Country Needs You." And more parades of new soldiers marched down the streets, though Dad stayed home. He built up my little French army one man at a time.

"Is Dad a coward?" I asked my mum.

"Of course he's not," she said.

"Then why doesn't he go to the war?"

"Well, he doesn't like to say this, but he's just not tall enough, Johnny."

"Not tall enough?" He seemed like a giant to me.

"He's five foot seven," she said. "An inch too short for the King."

It made me sad that he was too short, and sad that the King didn't want him. But Dad was even sadder; he never laughed, or even smiled, as summer turned into autumn, as the war went on in France. He started flying into rages at the least little thing, and he scattered my army of nutcracker men when they came too close to his favorite chair. In Europe, the French and the British turned the Germans back at the Marne, but even that didn't cheer up Dad.

In late September he brought home a cuckoo clock that was all in pieces. "Someone smashed it," he said. "I had it in my window, and a fellow got into a fit because he thought it was German!" The little cuckoo bird dangled from a broken spring, and it chirped as Dad shook the clock. "Anyone can see that it's Swiss."

On the first of October he brought home a box of toy soldiers. They were British Tommies, little soldiers and machine gunners, cast from lead by a German toy maker.

Dad dropped the box on the floor. "You might as well have these, Johnny," he said. "No one's going to buy them now, and that's damned certain."

He never swore. So my mother gave him a dark look, and he turned very red.

"Well, they're not," he said. "If it comes from Germany, nobody wants it. No one will touch it, except to smash it. I saw a man go out of his way--clear across Baker Street--to kick at a dachshund a lady was walking."

"But we are at war," said Mum, trying to console him. "Those little lead soldiers might only be toys to you, but to other men they're something worth fighting about."

Dad scowled but didn't argue back. He sat in his chair, staring through the window at the buildings and the sky. It was just a few days later when he went off to his shop in the morning, and came home in a uniform. He had joined the British Army.

"They lowered the height!" he cried. "It's five foot five. I'll be a giant among the next batch of men."

His uniform didn't fit him very well. It drooped around him like a lot of greenish brown sacks, and the funny puttees--wound too many times round his legs--were held in place with his bicycle clips.

I laughed when I saw him like that. But Mum cried. She went at him with a mouthful of pins, tucking him all into shape like one of his little felt dolls. And all the time, as she nipped and tucked, she cried great tears that poured from her without any sound.

Dad softened his voice. "I have to do my bit. We have to lick the Germans."

He packed his ...

Edition details

• Publisher: Delacorte Books for Young Readers
• Publication date: 2001
• Language: English
• ISBN 10: 0385729243
• ISBN 13: 9780385729246
• Binding: Hardcover
• Edition number: 1
• Number of pages: 224