These essays trace a distinguished writer's engagement with her time, her arguments with herself and others."I am a poet who knows the social power of poetry, a United States citizen who knows herself irrevocably tangled in her society's hopes, arrogance, and despair," Adrienne Rich writes.
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Widely read, widely anthologized, widely interviewed, and widely taught, Adrienne Rich (1929–2012) was for decades among the most influential writers of the feminist movement and one of the best-known American public intellectuals. She wrote two dozen volumes of poetry and more than a half-dozen of prose. Her constellation of honors includes a National Book Award for poetry for Tonight, No Poetry Will Serve, a MacArthur Foundation “genius” grant in 1994, and a National Book Award for poetry in 1974 for Diving Into the Wreck. That volume, published in 1973, is considered her masterwork. Ms. Rich’s other volumes of poetry include The Dream of a Common Language, A Wild Patience Has Taken Me This Far, An Atlas of the Difficult World, The School Among the Ruins, and Telephone Ringing in the Labyrinth. Her prose includes the essay collections On Lies, Secrets, and Silence; Blood, Bread, and Poetry; an influential essay, “Compulsory Heterosexuality and Lesbian Existence,” and the nonfiction book Of Woman Born, which examines the institution of motherhood as a socio-historic construct. In 2006, Rich was awarded the Medal for Distinguished Contribution to American Letters by the National Book Foundation. In 2010, she was honored with The Griffin Trust for Excellence in Poetry's Lifetime Recognition Award.From Publishers Weekly:
Rich's engaging new collection of essays reaffirms what Norton editors declared some 25 years ago: the "private poet" has gone public, "without sacrificing the complexity of subjective experience or the intensity of personal emotion." This certainly holds true for Rich the essayist as well, for she has firmly established herself as a major American poet and intellectual most concerned with the intersection of the public and private, the social and personal. The overarching goal of her intellectual project is to discover what's imaginatively possible in a cultural system debased by economic, social and political injustice, which, she suggests, are perhaps inherent in capitalism. While her powerful and frequently anthologized essay on "compulsory heterosexuality" is not included, the equally famous and influential "`When We Dead Awaken': Writing as Re-Vision" leads off the collection. This 1971 feminist tract brilliantly strategizes how women can re-examine literature and culture in order to resist patriarchal hegemony and give voice to their own experience. Other notable entries include "Blood, Bread, and Poetry: The Location of the Poet," which posits that "political struggle and spiritual continuity are meshed"; the title essay, a consideration of, among other issues, identity politics; and the spirited 1997 essay-letter that explains why she declined the National Medal for the Arts. As Rich herself acknowledges in the foreword, a few of the essays "may seem to belong to a bygone era." They provide, however, a prism through which to view Rich's thinking over the years, and they neatly demonstrate the transformations in her views over time. While the essays, "notes" and "conversations" may be read individually, what's perhaps most fascinating and rewarding about this collection is charting Rich's intellectual journey itself.
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Book Description W. W. Norton & Company, 2001. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110393050459
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