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This poem provides a wealth of images taken from science and the world around us.
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"Garbage," A.R. Ammons writes in this book-length poem, "has to be the poem of our time because / garbage is spiritual, believable enough / to get our attention, getting in the way..." Talky and playful, the couplets of the National Book Award-winning Garbage propel one through the trash dump of 20th-century meaning, as well as into the past and future, where "millennia jiggle in your eyes at night." This project, by turns wryly self-deprecating and densely philosophical, places Ammons in the company of such recent epic funnymen as John Ashbery, Ronald Johnson, and, very self-consciously, William Carlos Williams. Like any good epic, the poem begins in doubt, with Ammons wondering whether to write the book or simply retire and live a life of leisure on Social Security (plus a surely ample pension from his longtime Cornell University professorship). Like John Milton in the preamble to his epic, Paradise Lost, Ammons uses the metaphor of a tree to focus his poetic ambition. "I mean," he writes, "take my yard maple--put out in the free / and open--has overgrown, its trunk / split down from a high fork ... The fat tree, unable to stop pouring it on, overfed and overgrew ... It just / goes to show you: moderation imposed is better / than no moderation at all." Indeed, the poem's 121 pages seem at times nothing more than an attempt to buoy the moment between two extremes: exuberant falsehoods at one end of the scale, cynical platitudes on the other. This "moderation" has served as Ammons' dominant aesthetic during his long poetic career, though Garbage's length and epic ambitions disrupt his trademark austerity. Despite his tangential questioning of reality and time, the poem's ultimate wisdom lies in how it imagines the actively good person, one who sees that
...life, life is like a poem: the moment itIn a time when most poetry is about loss, Ammons wanders through our community junkyard and, with his good eye, points out what's valuable, and tells us, in his trustworthy tone, why. --Edward Skoog About the Author:
begins, it begins to end: the tension this
establishes makes every move and movement, every
gap and stumble, every glide and rise significant
A. R. Ammons's (1926-2001) was a two-time winner of the National Book Award and the recipient of a National Book Critics Circle Award. His many additional honors include the Academy of American Poets' Wallace Stevens Award, the Bollingen Prize, the Poetry Society of America's Robert Frost Medal, the Ruth Lilly Prize, and fellowships from the Guggenheim and MacArthur Foundations.
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Book Description W W Norton & Co Inc, 1994. Paperback. Condition: New. Seller Inventory # DADAX0393312038
Book Description W W Norton & Co Inc, 1994. Condition: New. book. Seller Inventory # M0393312038