Winner of the 2005 Lambda Literary Award, the Hurston/Wright Legacy Award, and the Gustavus Myers Outstanding Book Award: the first and "essential" (Choice) biography of the author, poet, and American icon of womanhood, black arts, and survival.
During her lifetime, Audre Lorde (1934-1992), author of the landmark Cancer Journals, created a mythic identity for herself that retains its vitality to this day. Drawing from the private archives of the poet's estate and numerous interviews, Alexis De Veaux demystifies Lorde's iconic status, charting her conservative childhood in Harlem; her early marriage to a white, gay man with whom she had two children; her emergence as an outspoken black feminist lesbian; and her canonization as a seminal poet of American literature."synopsis" may belong to another edition of this title.
Alexis De Veaux teaches at the University of Buffalo (SUNY). She has written for Ms., Essence, and the Village Voice, among other publications.
This biography of Audre Lorde, the self-described "black, lesbian, feminist, mother, poet warrior" who died of metastasized breast cancer in 1992, at age 58, captures the complexities of a charismatic figure whose every personal move was indeed political. De Veaux, chair of the women's studies department at SUNY-Buffalo, draws from over 60 of Lorde's unpublished journals as well as testimony from friends and family, though she points out with academic caution in her introduction that this is only a "subjective" story. De Veaux divides her book between Lorde's "two lives," her emergence from a difficult Harlem childhood to a celebrated literary career and, later, her struggle with cancer. Born in 1934 to Caribbean immigrants, Lorde had a persistent, haunting feeling of being an outsider. An early interracial marriage to Ed Rollins brought two children, but Lorde came to find deeper satisfaction in lesbian love, embarking on a decades-long relationship with Frances Clayton and maintaining erotic friendships with activists and poets who informed and shaped her work. By the 1980s, Lorde's writings were internationally recognized, and she continued to articulate her ideas on race, sexuality and gender in groundbreaking ways, eventually bravely documenting her personal experience with breast cancer. This account does not include Lorde's final days, focusing instead on her working years. While De Veaux occasionally slips into academic-speak, she is a skilled biographer, pulling together the contradictory facts of Lorde's public and private personae with ease. Subjective it may be, but Warrior Poet is also a satisfying portrait of a brave life. 16 pages of photos not seen by PW.
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