Bauhaus, Postmodernism, High Tech, and Green Design: Judith Gura explains the important movements, forms, and furnishings from the 1950s to the present.
With the first decade of the twenty-first century behind us, it is time to reassess the concept of “modern,” a term that dates to the Middle Ages, when it signified current or recent events. Not until the eighteenth century did it become a stylistic term; more recently it has generally referred to the aesthetic that evolved from the Bauhaus and flourished in the mid-twentieth century. Though proclaiming freedom from the limitations of style, it became as formulaic as most of its predecessors, as Modern architecture and furnishings conformed to prescribed specifications: geometric forms, industrially fabricated, unadorned, and studiously ahistorical."synopsis" may belong to another edition of this title.
Judith Gura is a professor at the New York School of Interior Design, where she directs the design history program and is coordinator of public programs. A graduate of Cornell University, she has a master’s degree in the history of the decorative arts from the Bard Graduate Center. She has worked on exhibitions at the Brooklyn Museum, the Whitney Museum, and the National Museum of Women in the Arts. Her published works include New York Interior Design, 1935-1985, Sourcebook of Scandinavian Furniture, Guide to Period Styles for Interiors, Harvey Probber: Modernist Furniture, Artworks and Design, and Edward Wormley: The Other Face of Modernism. She is a contributing editor for Art+Auction, and lectures frequently on interior design and furniture styles.
"About this title" may belong to another edition of this title.
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