Mansfield Park (Norton Critical Editions)

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9780393967913: Mansfield Park (Norton Critical Editions)

The text is that of a new authoritative text, which closely follows the one Austen oversaw when the novel was revised and reprinted in 1816.

Supporting materials include an introduction, annotations, and a map.

"Contexts" includes contemporary materials on the slave trade, religion, conduct literature for women, and landscape design that illuminate this dark and often disturbing novel.  Elizabeth Inchbald’s adaptation of Lovers’ Vows (the play staged by the characters in Mansfield Park) is included, as are writings by Humphry Repton, Thomas Gisborne, Hannah More, and Mary Wollstonecraft, among others.

"Criticism" presents a superb selection of critical writing about the novel.

The critics include Jan Fergus, Lionel Trilling, Alistair Duckworth, Nina Auerebach, Claudia L. Johnson, Joseph Litvak, Edward Said, B. C. Southam, and Joseph Lew.

A Chronology and Selected Bibliography are included.

"synopsis" may belong to another edition of this title.

Review:

Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.

Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber

Book Description:

In recent years, Mansfield Park has come to be regarded as Austen's most controversial novel. It was published in two editions in her lifetime and here the differences between the first edition and the second, including some important amendments made by Jane Austen herself, are clearly noted on the page. The volume provides comprehensive notes, an extensive critical introduction covering the context and publication history of the work, a chronology of Austen's life, and an authoritative textual appa ratus. This edition is indispensable for all serious scholars and readers of Austen.

"About this title" may belong to another edition of this title.

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