Short stories that feature a pantheon of losers, peripheral people, and men and women without education, insight, or prospects who, ironically, are too unimaginative to ever give up
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"What We Talk About When We Talk About Love" is not only the most well-known short story title of the latter part of the 20th century; it has come to stand for an entire aesthetic, the bare-bones prose style for which Raymond Carver became famous. Perhaps, it could be argued, too famous, at least for his fiction's own good. Like those of Hemingway or any other writer similarly loved, imitated, parodied, and reviled, these stories can sometimes produce the sense of reading pastiche. "A man without hands came to the door to sell me a photograph of my house." "That morning she pours Teacher's over my belly and licks it off. That afternoon she tries to jump out the window." "My friend Mel McGinnis was talking. Mel is a cardiologist, and sometimes that gives him the right." What other writer ever produced first sentences like these? They are like doors into Carverworld, where everyone speaks in simple declarative phrases, no one ever stops at one beer, and failure or violence are the true outcomes of the American dream.
Yet these stories bear careful re-reading, like any truly important and enduring work. For one thing, Carver is one of the few writers who can make desperation--cutting your ex-wife's telephone cord in the middle of a conversation, standing on your own roof chunking rocks while a man with no hands takes your picture--deeply funny. Then there is the sheer craft that went into their creation. Despite their seeming simplicity, his tales are as artfully constructed as poems--and like poems, the best of them can make your breath catch in your throat. In the title piece, for instance, after the gin has been drunk, after the stories have been told, after the tensions in the room have come to the surface and subsided again, there comes a moment of strange lightness and peace: "I could hear my heart beating. I could hear everyone's heart. I could hear the human noise we sat there making, not one of us moving, not even when the room went dark."
Much of what happens in What We Talk About When We Talk About Love (1981) happens offstage, and we're left with tragedy's props: booze, instant coffee, furniture from a failed marriage, cigarettes smoked in the middle of the night. This is not merely a matter of technique. Carver leaves out a great deal, but that's only a measure of his characters' vulnerability, the nerve endings his stories lay bare. To say anything more, one feels, would simply hurt too much. --Mary Park
In his second collection of stories, as in his first, Carver's characters are peripheral people--people without education, insight or prospects, people too unimaginative to even give up. Carver celebrates these men and women.
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Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0394516842I4N00
Seller: Beers Book Center, Sacramento, CA, U.S.A.
Hardcover. Condition: Used - Very Good. Second Printing, May, 1981, Very Good condition. Back side of dust jacket has a 1/2 inch tear perpendicular to its top edge. Jacket is otherwise well preserved in mylar. Book itself has a tight binding and unmarked pages, except for a light date stamp on the front loose endpaper. Boards show some sun-fading near edges. Top textblock shows some foxing. Will pack carefully. Seller Inventory # 520566
Seller: GoldBooks, Denver, CO, U.S.A.
Hardcover. Condition: new. New Copy. Customer Service Guaranteed. Seller Inventory # 65S79_86_0394516842
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-0394516842
Seller: curtis paul books, inc., Crestline, CA, U.S.A.
Hardcover. Condition: Very Good+. Dust Jacket Condition: Near Fine. First Edition. Hardcover first edition has some staining to covers. Ownership seal to ffep. Unclipped jacket has very light wear to edges. ; 8vo 8" - 9" tall; 159 pages. Seller Inventory # 57586
Seller: Recycle Bookstore, San Jose, CA, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. First Edition. Stated first edition. Edges show some faint fading, a few tiny spots of foxing at outside top edge of pages. otherwise a very nice copy overall, clean and attractive, with a tight binding and clean pages. Dust jacket has some light to modest rubbing, very light wear to corners. otherwise bright and clean, now protected in an archival cover. Photos on request. Seller Inventory # 1026542
Seller: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Dust Jacket Condition: dj. First Edition. First Edition. The author's second collection of short stories. Board edges lightly faded, some faint rubbing to the backstrip, generally about Near Fine in a Near Fine dust jacket. Seller Inventory # 169472
Seller: DogStar Books, Lancaster, PA, U.S.A.
Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. First Edition; First Printing. 8vo 8" - 9" tall; 159 pages; 1981 Alfred A. Knopf. HC/DJ 1st edition, 1st printing. Tightly bound and very neat in crisp edged and uniformly bright dust jacket with publisher's $9.95 issue price intact to unclipped front flap. Feels and appears unread; no marks. A hint of foxing confined to the front endpaper along the jacket-flap edge, otherwise free of marks or blemish. Publisher's promotional sheet for the 1982 paperback edition laid in. An especially bright example, uncommon in this condition. NF/NF. Seller Inventory # 57833
Seller: WAVERLEY BOOKS ABAA, Santa Monica, CA, U.S.A.
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition; First Printing. First edition. Fine in fine dust jacket. The card of knopf fiction editor Gordon Lish laid-in. (159pp. ) The author's breakthrough book. Stories. ; 8vo 8" - 9" tall; 159 pages. Seller Inventory # 3117640