When a troubled, talented teenager goes missing, private investigator Terry Orr's search uncovers a hornet's nest of family secrets.
In just three short years, Jim Fusilli has garnered the kind of praise for which writers wait their entire careers: "Superior . . . This courageous and original writer works against the grain of expectations, looking to make our experience not easy but illuminative and true," proclaimed The Boston Globe. Publishers Weekly writes, "Fusilli's sense of place is stunning: a tangible, poetically evoked Manhattan infuses this complex, haunting story."
In the latest installment of Jim Fusilli's critically acclaimed series, enigmatic hero and occasional private eye Terry Orr has been asked by his precocious daughter, Bella, and her friend Daniel Wu to search for a gifted student who has suddenly disappeared. Terry quickly discovers that documents and cash have been stolen from the home of an elderly family friend with whom the boy had been staying. When Terry travels to the adolescent's New Jersey hometown, he meets with unexpected violence. And when he returns to the city, the trail leads to murder, as his own life hangs in the balance.
But Terry can't say no to this case; something about the damaged boy reminds him of his own difficult youth, as well as his constantly challenging relationship with daughter, Bella, who has begun to push her desperate father away.
Filled with brilliantly drawn characters and imbued with Fusilli's vivid evocation of New York, Hard, Hard City is a revelation.
"synopsis" may belong to another edition of this title.
Jim Fusilli is a music critic for The Wall Street Journal and National Public Radio's All Things Considered. This is his fourth novel.
Jim Fusilli is a music critic for The Wall Street Journal.
The multi-talented Fusilli, a music critic for The Wall Street Journal and NPR, is just as gifted at creating his own work as he is at dissecting that of others. With Hard, Hard City, Fusilli brings back Terry Orr, last seen in 2003’s Tribeca Blues. Critics praise the nuance with which Fusilli imbues Orr—the character is layered like a human being, not a pulpy gumshoe—and the accuracy with which he captures New York City’s dark underbelly. A few blanch at the plot’s twists and turns, however, believing they skid into B-movie territory. Overall, most strongly recommend Fusilli’s novel to both mystery fans and those who usually eschew the genre. As The Washington Post notes, "If you have fallen into the habit of reading the same favorites over and over—Grisham, Grafton, Sandford, whatever—branch out a bit. Live dangerously!"
Copyright © 2004 Phillips & Nelson Media, Inc.
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