The Day the Crayons Quit - Hardcover

Book 2 of 15: The Crayons Celebrate

Daywalt, Drew

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9780399255373: The Day the Crayons Quit

Synopsis

THE #1 NEW YORK TIMES BESTSELLER WITH MILLIONS OF COPIES SOLD

The blockbuster hit that kids (and grown-ups!) will enjoy reading again and again—a hilarious, colorful picture book celebrating creativity and self-expression, hailed as “fresh and funny” (The Wall Street Journal) and “utterly original” (San Francisco Chronicle).

WINNER OF THE E.B. WHITE READ-ALOUD AWARD • A KIRKUS REVIEWS BEST PICTURE BOOK OF THE CENTURY • ONE OF THE ATLANTIC'S 65 ESSENTIAL CHILDREN'S BOOKS

Poor Duncan just wants to color. But when he opens his box of crayons, he finds only written letters, all saying the same thing: His crayons have had enough! They quit! Blue Crayon needs a break from coloring all those bodies of water. Black Crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all the crayons and get them back to doing what they do best?

With giggle-inducing text from Drew Daywalt, and bold, bright illustrations from Oliver Jeffers, The Day the Crayons Quit is a modern classic.

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About the Author

Although Drew Daywalt grew up in a haunted house, he now lives in a Southern California home, haunted by only his wife, two kids, and German Shepherd. He is the author of the blockbuster hit The Day the Crayons Quit as well as The Day the Crayons Came Home and The Crayons' Christmas. His favorite crayon is Black.

Oliver Jeffers makes art and tells stories. From his much-loved debut, How to Catch a Star, he has gone on to create a collection of award-winning and bestselling picture books, which have been translated all over the globe, including the #1 New York Times bestseller and TIME Best Book of the Year Here We Are. Oliver is from Belfast, Northern Ireland, and now lives and works in Brooklyn, New York, with his wife and young children.

Reviews

Duncan’s crayons are on strike. One morning he opens his desk looking for them and, in their place, finds a pack of letters detailing their grievances, one crayon at a time. Red is tired. Beige is bored. Black is misunderstood. Peach is naked! The conceit is an enticing one, and although the crayons’ complaints are not entirely unique (a preponderance centers around some variation of overuse), the artist’s indelible characterization contributes significant charm. Indeed, Jeffers’ ability to communicate emotion in simple gestures, even on a skinny cylinder of wax, elevates crayon drawing to remarkable heights. First-class bookmaking, with clean design, ample trim size, and substantial paper stock, adds to the quality feel. A final spread sees all things right, as Duncan fills a page with bright, delightful imagery, addressing each of the crayons’ issues and forcing them into colorful cooperation. Kids who already attribute feelings to their playthings will never look at crayons the same way again. Grades K-3. --Thom Barthelmess

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