This revised and updated edition of a hugely successful book brings together the most valuable and stimulating writings on subcultures, from the early work of the Chicago School on ‘deviant’ social groups to the present day theories and research.
This new edition features a wide range of articles from some of the biggest names in the field including Dick Hebdige, Paul Gilroy and Stanley Cohen, and expertly combines contemporary essays and critique with classic and canonical texts on subcultures.
Examining an eclectic array of subcultures, from New Age travellers, to comic book fans, The Reader looks at how they are defined through their social position, styles, sexuality, politics and their music, and this new edition gives expression to the diversity of subcultural identifications, from scenes and ‘tribes’ to the ‘global underground’.
With specially selected articles, grouped sections, editors introductions and a general introduction which maps out the field, it gives students and teachers of cultural studies an invaluable study aid.
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First coined in the 1940s, the term "subculture" has been applied to society's most interesting, and, often, most inventive elements. Through a collection of articles written over the last 50 years, this book traces both the history of the academic study of subcultures and the history of subcultures themselves. While you'll find the usual assortment of articles on punk rock, street gangs, and Star Trek fans, what is perhaps most interesting are the articles from the early days of "subculture studies." Two of the highlights include a piece by Paul G. Cressey on 1930s taxi dancers and their opinions on race and class, and an article by Howard Becker on the language and attitudes of jazz musicians in the early '60s. The 55 selections in this volume offer a rich spectrum of subcultures and the academic responses they have evoked.About the Author:
Ken Gelder is a Reader in the Department of English and Cultural Studies at the University of Melbourne. His books include Reading the Vampire (1994) and, with Jane M. Jacobs, Uncanny Australia: Sacredness and Identity in a Postcolonial Nation (1998). He is also editor of The Horror Reader (2000). His new book, Popular Fiction: The Logics and Practices of a Literary Field, will be published by Routledge in December 2004.
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