True Crime: Observations on Violence and Modernity

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9780415977944: True Crime: Observations on Violence and Modernity

True crime is crime fact that looks like crime fiction. It is one of the most popular genres of our pathological public sphere, and an integral part of our contemporary wound culture-a culture, or at least cult, of commiseration. If we cannot gather in the face of anything other than crime, violence, terror, trauma, and the wound, we can at least commiserate. That is, as novelist Chuck Palahniuk writes, we can at least "all [be] miserable together."  The "murder leisure industry," its media, and its public:  these modern styles of violence and intimacy, sociality and belief, are the subjects of True Crime: Observations on Violence and Modernity.
 
True Crime draws on and makes available to American readers―and tests out―work on systems theory and media theory (for instance, the transformative work of Niklas Luhmann on social systems and of Friedrich Kittler on the media apriori―work yet to make its impact on the American scene).  True Crime is at once a study of a minor genre that is a scale model of modern society and a critical introduction to these forms of social and media history and theory.  With examples, factual and fictional, of the scene of the crime ranging from Poe to CSI, from the true crime writing of the popular Japanese author Haruki Murakami to versions of "the violence-media complex" in the work of the American novelist Patricia Highsmith and the Argentinian author Juan José Saer, True Crime is a penetrating look at modern violence and the modern media and the ties that bind them in contemporary life.
 

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About the Author:

Mark Seltzer is Evan Frankel Professor of English at UCLA. He is author of Bodies and Machines and Serial Killers: Death and Life in America's Wound Culture, both published by Routledge.

Review:

"Seltzer's work is never anything less than fascinating ... he is capable of brilliant flashes of insight." --American Literature

"Seltzer's work is welcome in its close reading of true crime across contexts and chronologies." --College Literature

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Mark Seltzer
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Book Description Taylor Francis Ltd, United Kingdom, 2007. Paperback. Book Condition: New. Language: English . Brand New Book. True crime is crime fact that looks like crime fiction. It is one of the most popular genres of our pathological public sphere, and an integral part of our contemporary wound culture-a culture, or at least cult, of commiseration. If we cannot gather in the face of anything other than crime, violence, terror, trauma, and the wound, we can at least commiserate. That is, as novelist Chuck Palahniuk writes, we can at least all [be] miserable together. The murder leisure industry, its media, and its public: these modern styles of violence and intimacy, sociality and belief, are the subjects of True Crime: Observations on Violence and Modernity. True Crime draws on and makes available to American readers-and tests out-work on systems theory and media theory (for instance, the transformative work of Niklas Luhmann on social systems and of Friedrich Kittler on the media apriori-work yet to make its impact on the American scene). True Crime is at once a study of a minor genre that is a scale model of modern society and a critical introduction to these forms of social and media history and theory. With examples, factual and fictional, of the scene of the crime ranging from Poe to CSI, from the true crime writing of the popular Japanese author Haruki Murakami to versions of the violence-media complex in the work of the American novelist Patricia Highsmith and the Argentinian author Juan Jose Saer, True Crime is a penetrating look at modern violence and the modern media and the ties that bind them in contemporary life. Bookseller Inventory # AA69780415977944

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Mark Seltzer
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Book Description Taylor Francis Ltd, United Kingdom, 2007. Paperback. Book Condition: New. Language: English . Brand New Book. True crime is crime fact that looks like crime fiction. It is one of the most popular genres of our pathological public sphere, and an integral part of our contemporary wound culture-a culture, or at least cult, of commiseration. If we cannot gather in the face of anything other than crime, violence, terror, trauma, and the wound, we can at least commiserate. That is, as novelist Chuck Palahniuk writes, we can at least all [be] miserable together. The murder leisure industry, its media, and its public: these modern styles of violence and intimacy, sociality and belief, are the subjects of True Crime: Observations on Violence and Modernity. True Crime draws on and makes available to American readers-and tests out-work on systems theory and media theory (for instance, the transformative work of Niklas Luhmann on social systems and of Friedrich Kittler on the media apriori-work yet to make its impact on the American scene). True Crime is at once a study of a minor genre that is a scale model of modern society and a critical introduction to these forms of social and media history and theory. With examples, factual and fictional, of the scene of the crime ranging from Poe to CSI, from the true crime writing of the popular Japanese author Haruki Murakami to versions of the violence-media complex in the work of the American novelist Patricia Highsmith and the Argentinian author Juan Jose Saer, True Crime is a penetrating look at modern violence and the modern media and the ties that bind them in contemporary life. Bookseller Inventory # AA69780415977944

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Book Description Routledge, 2017. Paperback. Book Condition: NEW. 9780415977944 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Print on Demand title, produced to the highest standard, and there would be a delay in dispatch of around 10 working days. Bookseller Inventory # HTANDREE0198252

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