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Cuba Libre finds Leonard reaching for a broader audience than those which appreciated either his crime novels or the westerns he once wrote, which he accomplishes by combining elements of both. Ben Tyler is a cowboy who robs banks, but only those that contain money of people who owe but won't pay him--he only takes what they owe. Charlie Burke is a businessman who buys horses cheap in the west, then sells them to exporters, while heroine Amelia Brown is the mistress of one of the truly bad men in the novel and struggles with dilemmas similar to those endured by other cast members.
Begining around the time that the Maine is sunk in Havana Harbor and ending when Teddy and others storm San Juan Hill, the story is at its best when its colorful characters are turned loose in one of the novel's colorful settings. If you like Leonard, you'll love Cuba Libre, and if--for some reason--you haven't yet discovered the author, prepare for a real treat.
War in Cuba isn't Ben Tyler's concern. Still, sailing mares and guns into Havana harbor in 1898--right past the submerged wreckage of the U.S. battleship Maine--may not be the smartest thing the recently prison-sprung horse wrangler ever did. Neither is shooting one of the local Guardia, though the pompous peacock deserved it. Now Tyler's sitting tight in a vermin-infested Cuban stockade waiting to face a firing squad. But he's not dying until he gets the money he's owed from a two-timing American sugar baron. And there's one smart, pistol-hot lady at the rich man's side who could help Ben get everything he's got rightfully coming...even when the whole damn island's going straight to hell.
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