This 19th-century author created "some of the most colorful and haunting fiction of his century" Kirkus Reviews. And with his special blend of comedy, social commentary, and fantasy, he paved the way for Tolstoy and Dostoyevsky.
@StaticBureaucracy Finally got my new threads today. Took it to work, I look Superfly. I’m not a gnat on a wall any more, I’m Akaky ‘Big Pimpin’’ Akakyevitch.
Seriously, check out pics on my Flickr. This coat is so money, it doesn’t even know how money it is.
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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Nikolai Vasilevich Gogol was born in 1809; his family were small gentry of Ukrainian cossack extraction, and his father was the author of a number of plays based on Ukrainian popular tales. He attended school in Nézhin and gained a reputation for his theatrical abilities. He went to St Petersburg in 1829 and with the help of a friend gained a post in one of the government ministries. Gogol was introduced to Zhukovsky, the romantic poet, and to Pushkin, and with the publication of Evenings on a Farm near Dikanka(1831) he had an entrée to all the leading literary salons. He even managed for a short period to be Professor of History at the University of St. Petersburg (1834-5).
Diary of a Madman and The Story of the Quarrel between Ivan Ivanovich and Ivan Nikiforovich appeared in 1934, The Nose in 1836, and The Overcoat in 1842. Gogol also wrote the play The Inspector (1836), Dead Souls (1842), and several moralizing essays defending the Tsarist regime, to the horror of his liberal and radical friends. He lived a great deal abroad, mostly in Rome, and in his last years became increasingly prey to religious mania and despair. He made a pilgrimage to Jerusalem in 1848, but was bitterly disappointed in the lack of feeling that the journey kindled. He returned to Russia and fell under the influence of a spiritual director who told him to destroy his writings as they were sinful. He burned the second part of Dead Souls, and died in 1852 after subjecting himself to a severe regime of fasting.
The title loony, an obsessive petty bureaucrat, first saw the literary light of day in 1835, when his creator, Russia's first great fiction writer, was gaining his initial renown. Backed up by percussion instruments, Stephen Ouimette impersonates him here in a Stratford Festival staged reading, which was recorded by the CBC in Toronto. By and large, the story satirizes the officialdom of the time and place, but Ouimette, while doing his best with humor that has gotten a bit stale, chillingly plays his character's descent into madness. A fine performance. Y.R. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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