Jane Austen's brilliant satire of the gothic novel.
The most sprightly and satirical of Austen's novels, Northanger Abbey was written when the author was herself in her early twenties, and takes for its heroine seventeen-year-old Catherine Morland, a spirited young woman preoccupied with the pleasures of dressing, dancing, and reading sensational novels. But when she visits Northanger Abbey, the ancestral home of handsome Henry Tilney, Catherine's taste in books comes back to haunt her. The rambling house full of locked doors and the family's mysterious history give rise to delightfully dreadful suspicions, and finally only Catherine's sweet nature and good humor triumph over her susceptibility. A sly commentary on the power of literature as well as a cautionary tale about the perils of naïveté, Northanger Abbey is a fresh and funny tale of one young woman receiving, as Margaret Drabble reveals in her illuminating introduction, "intensive instruction in the ways of the world."
With an Introduction by Margaret Drabble
and an Afterword by Stephanie Laurens
"synopsis" may belong to another edition of this title.
Though Northanger Abbey is one of Jane Austen's earliest novels, it was not published until after her death--well after she'd established her reputation with works such as Pride and Prejudice, Emma, and Sense and Sensibility. Of all her novels, this one is the most explicitly literary in that it is primarily concerned with books and with readers. In it, Austen skewers the novelistic excesses of her day made popular in such 18th-century Gothic potboilers as Ann Radcliffe's The Mysteries of Udolpho. Decrepit castles, locked rooms, mysterious chests, cryptic notes, and tyrannical fathers all figure into Northanger Abbey, but with a decidedly satirical twist. Consider Austen's introduction of her heroine: we are told on the very first page that "no one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine." The author goes on to explain that Miss Morland's father is a clergyman with "a considerable independence, besides two good livings--and he was not in the least addicted to locking up his daughters." Furthermore, her mother does not die giving birth to her, and Catherine herself, far from engaging in "the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush" vastly prefers playing cricket with her brothers to any girlish pastimes.
Catherine grows up to be a passably pretty girl and is invited to spend a few weeks in Bath with a family friend. While there she meets Henry Tilney and his sister Eleanor, who invite her to visit their family estate, Northanger Abbey. Once there, Austen amuses herself and us as Catherine, a great reader of Gothic romances, allows her imagination to run wild, finding dreadful portents in the most wonderfully prosaic events. But Austen is after something more than mere parody; she uses her rapier wit to mock not only the essential silliness of "horrid" novels, but to expose the even more horrid workings of polite society, for nothing Catherine imagines could possibly rival the hypocrisy she experiences at the hands of her supposed friends. In many respects Northanger Abbey is the most lighthearted of Jane Austen's novels, yet at its core is a serious, unsentimental commentary on love and marriage, 19th-century British style. --Alix Wilber
One of the first of Jane Austen's novels to be written, and one of the last to be published, Northanger Abbey is both an amusing story of how a naive girl enters society and wins the affection of a witty young clergyman, and a high-spirited parody of the lurid Gothic novels that were popular during Austen's youth. In the process it features a vivid account of social life in late eighteenth-century Bath, and Austen's famous defence of the novel as a literary form. This edition, based on the text of the novel as published posthumously in 1818, is accompanied by explanatory notes, and an appendix summarising the plots and situations of the Gothic fictions that form the basis of much of Austen's comedy. In addition there is an extensive critical introduction covering the context, publication, and critical history of the novel, a chronology of Austen's life, and authoritative textual apparatus.
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