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Ruby Dee (New Rochelle, NY) grew up in Harlem and graduated from Hunter College in New York City. Inducted into the Theater Hall of Fame in 1989, she was an original cast member of Broadway classics such as A Raisin in the Sun and South Pacific and appeared in Spike Lee's Do the Right Thing and the landmark adaptation of Alex Haley's Roots. She performs her one-woman show, My One Good Nerve, in theatres across the country.
In December the co-authors will mark their 50th wedding anniversary, an almost unheard of milestone for two stars of the performing arts this century. Even before their marriage, according to Davis, "we were in love, head over heels, and stuck with each other forever!" Rather than just telling the story of a successful marriage, however, their book (related in alternate voices) provides a panorama of the 20th-century African American experience, or, as they label it, The Struggle. Both socialists and militant battlers for African American rights, Davis and Dee have known, and worked with, such leaders as W.E.B. DuBois, Paul Robeson, Martin Luther King and Malcom X. And they haven't shied away from the consequences of taking a public stand: during the flowering of McCarthyism, Dee was called a Communist sympathizer in the press. Still, with refreshing honesty, they steer clear of self-congratulation, as when Davis tells how, as a little boy, in exchange for a few pieces of peanut brittle, he acquiesced as some racist local cops mistreated him. Of course, Dee and Davis also chronicle their careers as pioneers on stage, film and television, from their involvement with New York's African American theater scene during the Depression to their work alongside stars like Sidney Poitier and Lena Horne. From Davis's youth as a "Negro boy surrounded by white hoods, burning crosses, and stories that brought the smell of burning flesh," to Dee's concern for the future of African American theater, this is a compelling read, effectively evoking the challenges and rewards that have attended the authors' roles as black leaders over the past 60 years. Photos not seen by PW. Appendix, index. Agents, Betty McCort and Susan Crawford. (Nov.) FYI: Also out this November is Ruby Dee's My One Good Nerve, a collection of verse based on her one-woman show of that title. (Wiley, $16.95 192p ISBN 0-471-31704-7)
Copyright 1998 Reed Business Information, Inc.
With this painfully sincere collection of poems, stories, and character pieces, Ruby Dee joins the unhappy pantheon of actors, such as Jimmy Stewart and Leonard Nimoy, who have strayed disastrously into scribbling. Most of these pieces are drawn from Dees traveling one-woman show, also called My One Good Nerve. And so, the pieces may perform better than they read. You can guess where Dee as performer might pause dramatically, where shed slip fully into a character, and where shed build cadences eloquently, but the words and lines themselves, ranging from prosaic to warmed-over to embarrassing, do not equal her actors gifts. She suffers from the misconception, common to many amateur poets, that adapting prose by shortening line lengths and inserting a few repetitions will indeed result in a poem: ``Tupac./Spelled backwards/Caput. Meaning/ Finished. Over. Ended. Done./Twenty-six was it?/Oh my God. So young/Mouths drop. Stop in/Unbelieving anguish and surprise . . .'' Her writing is arranged here loosely according to themea section on love, an aggregation of ``comic'' musings, grouped tributes to African-American heroes, and a woman-power wrap-up. There are well-intentioned allegorical musings on racism, fractured fairy tales and nursery rhymes, poems ``celebrating'' everyone from James Baldwin to Marvin Gaye . . . and it is all, with barely the breath of exception, misconceived, mishandled, and misbegotten. Dee writes what she knows, which is part of the problem. Shes piggybacking off tired modes and models, and shows neither the gifts nor the inclination to create anything original (or expertly derivative). All she has to offer is earnestness. As Oscar Wilde put it, ``A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.'' (A joint memoir by Dee and her husband, Ossie Davis, will be published by William Morrow, also in November.) (b&w photos, not seen) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
With the exuberance for which she is known, Dee has written and assembled an eclectic collection of poetry, short stories, and musings on subjects from everyday life to racial politics. Much of the material is from Dee's one-woman stage show and evokes her voice and mannerisms. The collection includes ruminations about relationships and what it takes to maintain a successful marriage and to raise children, as well as observations about the state of existence of blacks in the U.S., with a particular focus on black youth. An unnamed black comedian is chastised for his use of demeaning, profane language. Dee recalls characters and incidents from her childhood and the difficult past of black people in the U.S. and expresses an abiding concern about the direction of race relations. A chapter on tributes pays homage to writers and entertainers, famous and obscure, including James Baldwin, Marvin Gaye, Toni Cade Bambara, and an unnamed photographer. Vanessa Bush
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Hard Cover. Condition: As New. Dust Jacket Condition: Near Fine. Various Photographers (illustrator). First Edition First Printing. A stock image [photo] is an accurate representation of the listed book's dust jacket design. Complete number line [1 - 10] at copyright page. No remainder marks. NON price-clipped dust jacket [$ 16.95], clean, crisp, colors bright, minimal display indications. Burgundy boards, clean, copper gilt lettering. Ruby Dee and husband Ossie Davis are co-authors of With Ruby and Ossie. Media Mail, Priority & most international shipping include free tracking information. Every book listed is located in my smoke free and climate controlled shop. All are inspected by me and will have qualities and/or flaws described. Size: 12mo - over 6 3/4 to 7 3/4 Tall. Seller Inventory # 015217
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