Gotterdammerung in Full Score

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9780486242507: Gotterdammerung in Full Score

Melding literary, philosophical, and political — as well as musical — influences in his works, Richard Wagner (1813–83) brought the expressive power of German romantic opera to new heights — indeed, his music was its crowning glory. George Bernard Shaw, a critic not given to hyperbole, acknowledged Wagner's preeminent status in The Perfect Wagnerite: "He was the summit of the nineteenth-century school of dramatic music."
In Der Ring des Nibelungen, Wagner drew on a medieval German epic, the Nibelungenlied, and Norse mythology to create a new synthesis of music and drama on the largest scale. Of the four works in the Ring cycle, Götterdämmerung is perhaps the grandest and most sweeping of all. Although it is the final work in the series, the opera was actually first sketched out by Wagner in 1848, under the title Siegfrieds Tod. As it turned out, dramaturgic difficulties forced the composer to expand the tragedy of Siegfried into the four-part Ring. In 1851 he amplified Siegfrieds Tod with Der junge Siegfried (later Siegfried), and the following year wrote the texts of Die Walküre and Das Rheingold. In effect, the text of the Ring cycle was written in reverse order.
Wagner began composing the musical drafts of Götterdämmerung in 1869. Five years later, the work was complete — the capstone of an epic masterpiece that aroused near-religious fervor among its devotees. Shaw opined of the Ring as a whole: "The musical fabric is enormously elaborate and gorgeous," while Grove's Dictionary offers this comment on the special appeal of Götterdämmerung: "It is in the epic and reflective passages of Götterdämmerung, the narratives and orchestral epic of the Funeral March, that there unfurls that 'associative magic' praised so highly by Thomas Mann."
Götterdämmerung has never been available in the United States in full operatic score — until now. Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. Except for the original title page, the German-language front matter has been omitted in this edition for reasons of space and replaced by an English translation.
New admirers of Wagner, opera enthusiasts, and all music lovers can savor the full heroic impact of this majestic musical achievement in Dover's characteristically inexpensive, superbly produced edition.

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Review:

Richard Wagner had the idea of writing an opera on the death of the Teutonic ur-hero Siegfried. Then he decided to add some additional material, and the project grew and grew to become the four-opera, 16-hour Ring des Nibelungen, one of the most astonishing accomplishments in all of western civilization. Gotterdammerung (The Twilight of the Gods) is the last and most amazing of the four operas of the cycle, as Wagner brings down the world of the gods and heroes in fire and water. What he accomplishes with his orchestral writing is nothing short of astonishing--and you can see how he does it by following along with this full orchestral score from Dover. Dover scores, reprints of out-of-copyright editions from other publishers, are entirely lacking in frills, and they're not that helpful to singers who need to learn a role. But inexpensive Dover scores may be a Wagnerite's best friend (after the Solti recording of the Ring!), whether you're new to the Ring or an old hand.

About the Author:

Composer and conductor Richard Wagner (1813–83) is best known for his four-opera classic, The Ring. Unlike most other composers, Wagner wrote both the scenario and libretto for his operas.

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Book Description Dover Publications Inc., United States, 1982. Paperback. Book Condition: New. Language: English . Brand New Book. Melding literary, philosophical, and political -- as well as musical -- influences in his works, Richard Wagner (1813-83) brought the expressive power of German romantic opera to new heights -- indeed, his music was its crowning glory. George Bernard Shaw, a critic not given to hyperbole, acknowledged Wagner s preeminent status in The Perfect Wagnerite He was the summit of the nineteenth-century school of dramatic music. In Der Ring des Nibelungen, Wagner drew on a medieval German epic, the Nibelungenlied, and Norse mythology to create a new synthesis of music and drama on the largest scale. Of the four works in the Ring cycle, Gotterdammerung is perhaps the grandest and most sweeping of all. Although it is the final work in the series, the opera was actually first sketched out by Wagner in 1848, under the title Siegfrieds Tod. As it turned out, dramaturgic difficulties forced the composer to expand the tragedy of Siegfried into the four-part Ring. In 1851 he amplified Siegfrieds Tod with Der junge Siegfried (later Siegfried), and the following year wrote the texts of Die Walkure and Das Rheingold. In effect, the text of the Ring cycle was written in reverse order. Wagner began composing the musical drafts of Gotterdammerung in 1869. Five years later, the work was complete -- the capstone of an epic masterpiece that aroused near-religious fervor among its devotees. Shaw opined of the Ring as a whole: The musical fabric is enormously elaborate and gorgeous, while Grove s Dictionary offers this comment on the special appeal of Gotterdammerung It is in the epic and reflective passages of Gotterdammerung, the narratives and orchestral epic of the Funeral March, that there unfurls that associative magic praised so highly by Thomas Mann. Gotterdammerung has never been available in the United States in full operatic score -- until now. Reprinted directly from the rare 1877 first edition, this is the score that Wagner himself approved with the instrumentation he intended. Except for the original title page, the German-language front matter has been omitted in this edition for reasons of space and replaced by an English translation. New admirers of Wagner, opera enthusiasts, and all music lovers can savor the full heroic impact of this majestic musical achievement in Dover s characteristically inexpensive, superbly produced edition. Bookseller Inventory # AAC9780486242507

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