Potters long ago left behind the notion that pots must be purely useful or merely pleasant everyday objects.
At the turn of the twentieth century, ceramics―as in other media in both the decorative and fine arts―underwent revolutionary change. The potter emerged from the anonymity of the workshop and made more individualistic statements in clay than ever before."synopsis" may belong to another edition of this title.
Edmund de Waal is a distinguished potter, with work in many private and public collections. He teaches, lectures, and writes regularly on ceramics.
"About this title" may belong to another edition of this title.
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