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Now acknowledged worldwide as one of the finest British contemporary artists, Richard Long's stature and international reputation have continued to grow steadily since he was awarded the Turner Prize for his contribution to British art in 1989. Long's art takes the form of walks, sculptures and mud works. His journeys through the landscapes of the world, whether the Sahara Desert, Dartmoor, Japan or Bolivia, are recorded either by photographs of sculptures made along the way from materials immediately to hand, or by maps and text works, which evoke experiences of time, places and ideas. His sculptures in galleries are made by arranging natural materials, usually stone or wood; and his mud works are made on walls or floors, with watery solutions of river mud and clay. The artist provided the conception and layout for this book, which is divided into two main sections: the main body of his past achievement; and a comprehensive record of work since 1986. Art historian Anne Seymour contributes an introductory essay. The art that Richard Long creates by walking is uniquely described by the artist Hamish Fulton, his companion on many of the longest journeys. Long also talks about his work in an interview with the art historian and critic Richard Cork.
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Richard Long (born 2 June 1945) is an English sculptor and one of the best known British land artists.From Publishers Weekly:
In this arresting volume, London gallery director Seymour and British artist Fulton present their interviews with and impressions of British conceptual artist Richard Long, who imposes orderly and transitory patterns on nature as he hikes through wilderness areas. Long's walks take place in rural England, the U.S. and the Sahara, and on mountain ranges including the Pyrenees, Alps and Himalayas. Walking itself is Long's purest art, but documentation is the way he shares his experience with his audience: this secondary physical evidence includes outlined road maps, lists of words and phrases that represent memorable points in his journeys, and striking photos of the circles, lines and patterns he creates with rocks, with poured water or with his own footsteps. For his gallery installations, Long positions tree bark or stone on the ground and loosely, dynamically paints river mud over two-dimensional geometric forms. His work, seen here in 193 handsome photos and illustrations, has a patient, mysterious and delicate quality suggestive of time's passage.
Copyright 1991 Reed Business Information, Inc.
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Book Description Thames & Hudson Ltd, 1991. Paperback. Condition: Good. Good condition is defined as: a copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Most items will be dispatched the same or the next working day. Seller Inventory # mon0009061643
Book Description Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR003311386
Book Description Thames & Hudson/ The South Bank Centre, London. 1991. 263 p. Ills. Softcover. Cover very slightly frayed & discol. Seller Inventory # 111685
Book Description Thames & Hudson Ltd; 01 (30 décembre 1999), 1999. Broché, comme neuf outre de mini plis au dos. Seller Inventory # 130532
Book Description Thames & Hudson, London & New York, (exhibition catalogue}) 1991, 1991. 26.0 x 30.0cms (landscape); 264pp, b/w & colour illusts, paperback in French flaps, very good. The sections are: walking in circles; fragments of a conversation I-VI; meandering miles; Connemara dreaming; wind stones; following a desire; half-tide; canyon; walking out of stones; old muddy. Seller Inventory # 148244