Synopsis
A new history of digital art from the 1960s to the present day, with decade-by-decade essays exploring evolving digital art practices, alongside interviews with artists, gallerists, museum curators, and collectors.
This new, image-led history of global digital art from the 1960s to the present day draws on the V&A's rich collection while linking the digital art scene to wider art and design histories, and to their social, political, and technological contexts. Decade-by-decade essays by leading authorities explore evolving digital art practices, and a series of interviews and discussions with prominent artists, gallerists, museum curators, and collectors from the world of digital art offer fascinating insights into the subject.
Digital Art: 1960s to Now explores ideas of artificial intelligence, computer animation, simulation, and cybernetics. Global in reach, it features historic works from pioneering artists such as Analivia Cordeiro, Eduardo Mac Entyre, Manfred Mohr, Vera Molnar, and Frieder Nake, alongside renowned contemporary artists such as Danielle Brathwaite-Shirley, Harm van den Dorpel, Trevor Paglen, Anna Ridler, and Nye Thompson.
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About the Authors
Pita Arreola is digital art curator at the Victoria and Albert Museum, London.
Corinna Gardner is senior curator of design and digital at the Victoria and Albert Museum, London. She leads the museum’s Rapid Response Collecting program, and her research focuses on digital art and design.
Melanie Lenz is digital art curator at the Victoria and Albert Museum, London.
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Hardcover. Condition: new. Hardcover. A new history of digital art from the 1960s to the present day, with decade-by-decade essays exploring evolving digital art practices, alongside interviews with artists, gallerists, museum curators and collectors. This is the global story of digital art from its earliest beginnings to the innovative work of today, encompassing wide-ranging, experimental practices, from computer-generated works on paper created by mathematicians, scientists, engineers, programmers and artists in the 1960s to interactive installations, virtual reality, net art and videogames. A collaborative, dynamic approach still characterizes the practice of today's digital artists, who employ technology as a tool while examining its social, ethical and political impact. Digital Art: 1960s-Now delves into ideas of artificial intelligence, computer animation, simulation and cybernetics through the historic works of pioneering artists such as Analivia Cordeiro, Manfred Mohr, Vera Molnar and Frieder Nake, alongside renowned contemporary practitioners including Danielle Brathwaite-Shirley, Ibiye Camp, Sarah Friend, Trevor Paglen and Anna Ridler. Decade-by-decade essays by leading authorities explore changing digital art practices. Interviews and discussions with prominent artists, gallerists, museum curators and collectors at the forefront of the discipline offer further insights in this absorbing illustrated study of the evolution of digital art and its future possibilities. A new history of digital art from the 1960s to the present day, with decade-by-decade essays exploring evolving digital art practices, alongside interviews with artists, gallerists, museum curators, and collectors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780500480977
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