An Edgar Award-winning author follows The Dark Room with a thriller featuring an investigative reporter and a wealthy female socialite who discovers a dead man on her estate--one piece in a puzzling, deadly conspiracy. Reprint.
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Minette Walters's expert plotting and her ability to quickly bring a large cast of characters to life put her in the same arena as Ruth Rendell. A homeless man who called himself Billy Blake is found dead of starvation in the garage of an expensive home near London's Thames, and it looks as though he might be a merchant banker who disappeared in 1988 with 10 million pounds. A magazine journalist named Michael Deacon is intrigued by the case and by the missing banker's wife and soon finds that there are much darker overtones to both. Other Walters books in paperback include The Ice House, The Scold's Bridle.
"It was the smell that Mrs. Powell noticed first. Slightly sweet. Slightly unpleasant...It shocked her badly to find a dead man in the corner, his head slumped on his knees."
When Billy Blake, a homeless alcoholic, is found dead of starvation in Amanda Powell's private garage in the ritzy docklands area of London, the press arrives in force. But Billy's story is never told because Amanda refuses to comment, and interest in the unknown wino quickly flags.
Then, six months after Blake's death, the journalist Michael Deacon discovers that Amanda has changed her tune. Now she is suddenly eager to talk about Billy for Deacon's feature article on poverty and the homeless. More than eager – she seems obsessed with finding out the real identity of her dead visitor. Deacon's curiosity is piqued. Why is Amanda taking Blake's death so personally? Why did he choose her garage to die in? And why is she so anxious to discover his true identity?
The more he learns about Blake, the more Deacon can sense echoes of the homeless man's life in his own. Echoes so compelling that Deacon can't let go of the story until he's learned who Billy Blake really was – and why Amanda is almost certainly lying about her own interest in the dead man.
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