Three weeks before her planned wedding, Anna Green meets Nick Devlin, and their wild, passionate love steamrolls over everything--including their own common sense--in its path. 50,000 first printing. $50,000 ad/promo.
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Funny and poignant, a recently widowed American woman's account of her struggles to cope with the French (both the language and the people) provides a long overdue corrective to Peter Mayle's idyllic portraits of Provence. "Like bad hair days, there are bad French days," reflects 40-something Anna Green Devlin, who has taken a villa in the South of France, "and when they happen the language is no more comprehensible than beautiful, but unfamiliar music." Unfortunately, the entertaining saga of Anna's attempts to become a chatelaine francaise is interrupted by cliched third-person flashbacks describing her courtship by Nick Devlin that depict such improbable situations as Nick appearing nude before an elevator full of convention delegates while pursuing Anna. Pascal, creator of the Sweet Valley High series for young adults, throws in plenty of piquant details--Anna is a Jewish princess and successful rock-music lyricist with a daughter somewhere back in the States--but since the novel covers only her romance with Nick and her widowhood, readers ultimately become impatient for these details to be explained. Anna in France is a treat; the rest of her story doesn't come to life.
Copyright 1993 Reed Business Information, Inc.
Lopsided, thin, whiny novel about young love in New York City and middle-aged widowhood in the south of France: the second adult offering (Save Johanna!, 1981) from the creator of the Sweet Valley High series. Anna Green is engaged to Steven Buchwald and looking forward to a comfortable if conventional life as a rich New York matron when she meets Nick Devlin, editor of the advertising newspaper where she's just been given her first job. Nick falls in love with her at first sight, but Anna takes a little longer--four weeks, to be exact--but soon she's making torrid love with him, while still going ahead with her plans for her wedding. The story of their courtship, her reluctance to give up the good life with Steven, and her 11th-hour decision to fly to her true love is interspersed with long kvetches about Anna's present life in a villa in France. Now Mrs. Devlin, widowed and the mother of a grown daughter, she is lonely, can't speak the language, and feels at the mercy of hostile or dishonest tradespeople. In the years between her marriage to Nick and the present, she's made something of a fortune for herself writing lyrics to the rock songs of Wicked, a male superstar. But now she can no longer write, preoccupied as she claims to be by her grief and by her disorientation in her new home. She thinks maybe she needs to become sexually active again, if not with a man then with a zucchini--there's a slapstick scene in the local market with her knocking over a barrow full of courgettes in her search for the vegetable of her dreams. The real substance of the story--her life with Nick, her motherhood, his slow death from cancer--is largely a lacuna between Anna's tedious wafflings during their courtship, and her equally tedious complaints about how tough it is to get good help, find a lover, and make friends in the south of France. Hard to believe, even harder to care. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Pascal's novel presents two significant summers in a woman's life. In the present, newly widowed, she adjusts to life in the south of France, where she has retreated to escape her memories and well-meaning friends. Flashbacks presented in alternating chapters show us the young woman of 20 years ago, who less than a month before her wedding falls head over heels for someone new. Women who have tried to remake themselves after a marriage ends will feel much sympathy, and some shared amusement, for Anna's plight as she tries to make new friends, oversee household repairs, and return to her writing career, all in a foreign language yet. For fiction collections in most public libraries.
- Debbie Bogenschutz, Cincinnati Technical Coll.
Copyright 1994 Reed Business Information, Inc.
Nick Devlin, editor of a small New York weekly, walks through the office doors for the first time and sees Anna Green, a young reporter, with whom he falls in love. Anna is engaged to another man, but she is drawn to Nick for reasons she can't explain. Two hours before her wedding, she runs away with Nick. Anna and Nick are young lovers with a lifetime ahead of them, but that lifetime is shortened by tragedy. Anna escapes to France with her memories and buys a villa, where this capable romance, told in a series of flashbacks, begins. Francine Pascal is best known as the creator of the Sweet Valley High series for teenagers; If Wishes Were Horses is her second adult novel. Melanie Duncan
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