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A free-spirited wave of creative energy swept through the San Francisco art community after World War II. Challenging accepted modes of painting, Abstract Expressionists produced highly experimental works that jolted the public out of its postwar complacency. Susan Landauer's comprehensive examination of this dynamic movement provides the first clear picture of the artists and influences that came together in San Francisco's invigorating world of Abstract Expressionism.
Landauer argues that Abstract Expressionism resulted from a broad collective impulse rather than the inspiration of a small band of New York artists. Documenting the interchanges between the East and West Coasts, she cites areas of mutual influence and shows the impact of San Francisco on the New York School, including artists such as Mark Rothko and Ad Reinhardt. San Francisco's Beat poets, Dixieland jazz musicians, and the area's stunning vistas were essential parts of Abstract Expressionism, as were artistic and spiritual contacts with Asia.
Under Douglas MacAgy and Clyfford Still, the California School of Fine Arts became the undisputed center of vanguard abstraction on the West Coast. Artists such as Edward Corbett, Jay DeFeo, James Budd Dixon, Frank Lobdell, and Hassel Smith produced gritty, provocative images whose impact extended well beyond California. Landauer also notes the importance of Grace L. McCann Morley, director of the San Francisco Museum of Modern Art, who opened the museum to major Abstract Expressionist figures, and Jermayne MacAgy, who brought local and international artists together.
Enlivened by oral histories, Landauer's book is a rewarding exploration of a vital period in modern art. Richly illustrated with 96 color plates, it celebrates the energy and lasting impact of a special time.
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"This well written, fully researched, and handsomely illustrated volume gives potent new life to artists and ideas nearly lost to American art history. Susan Landauer's enlightening book will play an important role in redefining the post-World War II avant-garde as a national rather than an East Coast phenomenon."—Henry T. Hopkins, University of California, Los Angeles
"This book ranks as one of the more important recent contributions to the history of postwar American art."—Caroline Jones, Boston University
"This well written, fully researched, and handsomely illustrated volume gives potent new life to artists and ideas nearly lost to American art history. Susan Landauer's enlightening book will play an important role in redefining the post-World War II avant-garde as a national rather than an East Coast phenomenon." (Henry T. Hopkins, University of California, Los Angeles)
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Book Description University of California Press, 1996. Hardcover. Condition: New. Never used!. Seller Inventory # P110520086104
Book Description Condition: New. New. Seller Inventory # S-0520086104
Book Description University of California Press. Hardcover. Condition: New. 0520086104 New Condition. Seller Inventory # NEW7.1130895
Book Description University of California Press, 1996. Condition: New. book. Seller Inventory # M0520086104
Book Description UC Press, Berkeley, 1996. Cloth Hardcover. Condition: New. Dust Jacket Condition: New. NEW BOOK and DJ, both in great condition, and DJ now with new Mylar. // DJ is very lightly 'sunned' at spine, and because of this, price is reduced from $400. Seller Inventory # 008297