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"An opportunity to peer even more deeply into Suzuki Roshi's Zen mind and ponder the true meaning and value of recognizing the non-dual in our ordinary lives. The repartee with his students is by itself a great and unexpected gift, reviving that charming voice and warm wisdom we grew to know and love so well through Zen Mind, Beginner's Mind"ÑJon Kabat-Zinn, author of Wherever You Go, There You Are and coauthor of Everyday Blessings "Suzuki Roshi's gentle wisdom shines through these intimate talks on the Sandokai. I am grateful to Mel Weitsman and Michael Wenger for their labor of love."ÑRobert Aitken, author of Taking the Path of Zen and Original Dwelling Place
"Buddhists and lovers of Buddhism who have read and reread Suzuki Roshi's Zen Mind, Beginner's Mind over the years, as well as those who are just discovering the wisdom of this wonderful, profound teacher for the first time, will welcome this new book of lectures on Zen training as a gift we did not expect to receive. Branching Streams should be read slowly and savored."ÑRita M. Gross, author of Buddhism After Patriarchy
"Through the poetry of knowing and doing, Shunryu Suzuki points out a path of practical wisdom for Americans today, in a voice so close at hand it can touch their inner experience of the interdependence of existence, open their ears to hear its harmony of difference and sameness, and awaken their willingness to be true to its mystery."ÑStephen Tipton, co-author of Habits of the Heart
"A wonderful manifestation of Suzuki Roshi's fresh insights and teachings-- small, pithy, wild nuts delicious to anyone who chooses to taste them."ÑPeter Matthiessen "Muryo Roshi," author of Sal Si Puedes (Escape If You Can)
This book is billed as a sequel to Zen Mind, Beginner's Mind, Suzuki's classic collection of talks on Zen, but it stands on its own considerable merits as an eloquent, humorous series of lectures on the Sandokai, an eighth-century poem central to the Soto Zen tradition. These lectures show Suzuki, head priest of Tassajara monastery in California until his death in 1971, using his line-by-line exposition of the poem to illuminate what it means to practice Zen Buddhism. He stresses the simultaneity of the relative and the absolute, skillfully using words to direct his listeners toward understanding, all the while emphasizing that words are merely fingers pointing at the moon of enlightenment. Suzuki's devaluation of the verbal frees him to embrace humor and paradox as teaching methods; his examples range from ancient Chinese stories to anecdotes about weeding in the Tassajara garden and encountering an earwig. Readers of his previous book will be familiar with his earthy, clear, intense style. This book also conveys the texture of monastery life; it recounts 12 consecutive talks and includes the question-and-answer sessions at the end of each talk. These exchanges offer some of the most fascinating parts of an already excellent book, as they explicate some of the unclear points and illuminate the indirect yet confrontational quality of traditional Japanese Zen teaching. (Nov.)
Copyright 1999 Reed Business Information, Inc.
Suzuki (1904^-1971) came to San Francisco in 1959, established the first Zen Buddhist monastery in the U.S., and wrote the seminal Zen text for Westerners, Zen Mind, Beginner's Mind (1972). Toward the end of his life, Suzuki presented a series of talks based on the Sandokai, an eighth-century poem written by the Chinese Zen master Sekito Kisen. An elegant set of 22 couplets, it addresses a number of dichotomies, such as light and dark and sharp or dull, and it is chanted daily in Zen temples. In his cogent discussions and the question-and-answer sessions that follow--edited for publication by Mel Weitsman of the Berkeley Zen Center and Michael Wenger of the San Francisco Zen Center--Suzuki worked his way through the entire poem, expounding on the meanings of the Sandokai's imagery and its relevance to Buddhist practice and to life. The fact that one text can inspire a book's worth of philosophical thought and practical advice is testimony both to Buddhism's depths and to Suzuki's considerable gifts. Donna Seaman
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